{"id":1108,"date":"2026-03-01T14:38:04","date_gmt":"2026-03-01T14:38:04","guid":{"rendered":"https:\/\/odakhaber.site\/?p=1108"},"modified":"2026-03-01T14:38:04","modified_gmt":"2026-03-01T14:38:04","slug":"ankarada-carmen-ruzgari-ozgurluk-ve-tutkunun-sert-yuzlesmesi","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=1108","title":{"rendered":"ANKARA\u2019DA CARMEN R\u00dcZG\u00c2RI: \u00d6ZG\u00dcRL\u00dcK VE TUTKUNUN SERT Y\u00dcZLE\u015eMES\u0130"},"content":{"rendered":"\n<p>Ankara Devlet Opera ve Balesi, d\u00fcnya opera literat\u00fcr\u00fcn\u00fcn en g\u00fc\u00e7l\u00fc yap\u0131tlar\u0131ndan biri olan **&#8221;Carmen&#8221;**i, Ulus\u2019taki tarihi Opera Sahnesi\u2019nde sanatseverlerle bulu\u015fturdu. Ya\u011fmurlu bir Ankara ak\u015fam\u0131nda pr\u00f6miyeri ger\u00e7ekle\u015ftirilen eser, sadece bir a\u015fk hik\u00e2yesi de\u011fil, \u00f6zg\u00fcrl\u00fck \u0131srar\u0131 ile sahiplenme duygusunun \u00e7arp\u0131\u015ft\u0131\u011f\u0131 trajik bir manifesto olarak sahneye ta\u015f\u0131nd\u0131.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Reji ve Koreografide Carlos Vilan \u0130mzas\u0131<\/h3>\n\n\n\n<p>Yap\u0131m\u0131n en belirleyici unsuru, dans\u0131n bir s\u00fcsleme de\u011fil, hik\u00e2yenin ana dili olarak kurgulanmas\u0131 oldu. Reji ve koreografiyi \u00fcstlenen <strong>Carlos Vilan<\/strong>, kalabal\u0131k sahneleri statik birer tablo olmaktan \u00e7\u0131kar\u0131p, ana karakterin \u00fczerindeki toplumsal bask\u0131y\u0131 hissettiren dinamik bir ak\u0131\u015fa d\u00f6n\u00fc\u015ft\u00fcrd\u00fc.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>M\u00fczikal Y\u00f6netim:<\/strong> Orkestray\u0131 y\u00f6neten <strong>Rustam Rahmedov<\/strong>, Bizet\u2019nin melodik dehas\u0131n\u0131 dramatik tansiyonla dengeleyerek sahneye g\u00fc\u00e7l\u00fc bir nab\u0131z kazand\u0131rd\u0131.<\/li>\n\n\n\n<li><strong>Sahne Tasar\u0131m\u0131:<\/strong> <strong>Zeki Sarayo\u011flu<\/strong> imzal\u0131 dekor, Sevilla\u2019y\u0131 kartpostal esteti\u011finden kurtar\u0131p karakterlerin psikolojik derinli\u011fini a\u00e7an bir mek\u00e2n alg\u0131s\u0131 sundu. <strong>Ay\u015feg\u00fcl Alev<\/strong> ve <strong>Gizem Betil<\/strong>\u2019in kost\u00fcmleri ile <strong>Ali G\u00f6kdemir<\/strong>\u2019in \u0131\u015f\u0131k tasar\u0131m\u0131, bu atmosferi b\u00fct\u00fcnleyen temel ta\u015flar oldu.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Nihan \u0130nan\u2019\u0131n Etkileyici Carmen Yorumu<\/h3>\n\n\n\n<p>Eserin kalbinde yer alan Carmen karakterine hayat veren <strong>Nihan \u0130nan<\/strong>, ses rengi ve sahne duru\u015fuyla izleyiciyi b\u00fcy\u00fcledi. \u0130nan\u2019\u0131n yorumunda Carmen, sadece k\u0131\u015fk\u0131rt\u0131c\u0131 bir fig\u00fcr de\u011fil; kararlar\u0131n\u0131n bedelini \u00f6demeye haz\u0131r, sars\u0131lmaz bir iradeye sahip bir kad\u0131n olarak konumland\u0131. &#8220;Habanera&#8221;da sergiledi\u011fi vokal performans, karakterin \u00f6zg\u00fcrl\u00fck s\u0131n\u0131rlar\u0131n\u0131 net bir bi\u00e7imde \u00e7izdi.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Don Jos\u00e9\u2019nin K\u0131r\u0131lma Noktas\u0131<\/h3>\n\n\n\n<p><strong>Ali Murat Ereng\u00fcl<\/strong>\u2019\u00fcn canland\u0131rd\u0131\u011f\u0131 Don Jos\u00e9, a\u015fk\u0131n disiplinden tak\u0131nt\u0131l\u0131 bir sahiplenmeye evrildi\u011fi s\u00fcreci ustal\u0131kla yans\u0131tt\u0131. \u00d6zellikle meyhane sahnesindeki performans\u0131, karakterin i\u00e7sel \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fc ve rasyonelli\u011fini kaybedi\u015fini dramatik bir bi\u00e7imde g\u00f6zler \u00f6n\u00fcne serdi.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Kadroda Y\u0131ld\u0131z \u0130simler<\/h3>\n\n\n\n<p>Eserin di\u011fer \u00f6nemli rollerinde ise tecr\u00fcbeli isimler sahne ald\u0131:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Escamillo:<\/strong> Eralp K\u0131y\u0131c\u0131, arenan\u0131n ihti\u015fam\u0131n\u0131 ve karakterin \u00f6zg\u00fcvenini sahneye ta\u015f\u0131d\u0131.<\/li>\n\n\n\n<li><strong>Mica\u00ebla:<\/strong> Asl\u0131 K\u0131y\u0131c\u0131, eserin vicdan ve d\u00fczeni temsil eden insani tonunu ba\u015far\u0131yla yans\u0131tt\u0131.<\/li>\n\n\n\n<li><strong>Yan Roller:<\/strong> Ol\u00e7a Bora (Frasquita), Evren G\u00f6ko\u011flu (Mercedes), Emre Yal\u00e7\u0131n (Remendado) ve Serkan Sar\u0131kaya (Danca\u00efro) sahneler aras\u0131 enerjiyi diri tutarken; Mert \u00d6zdemir (Morales) ve Yi\u011fitcan Tatl\u0131o\u011flu (Z\u00fa\u00f1iga) otorite fig\u00fcrlerini ba\u015far\u0131yla temsil etti.<\/li>\n<\/ul>\n\n\n\n<p>Koroyu <strong>Ivan Pekhov<\/strong>, \u00e7ocuk korosunu ise <strong>\u00d6yk\u00fccan Yav\u015fan<\/strong> \u00e7al\u0131\u015ft\u0131r\u0131rken; ba\u015fkemanc\u0131 <strong>Sibel G\u00fc\u00e7l\u00fc<\/strong> orkestradaki omurgay\u0131 sa\u011flayan isimlerden biri oldu.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Final: A\u015fk\u0131n Sahiplenmeye Yenildi\u011fi An<\/h3>\n\n\n\n<p>Eserin finalinde, Carmen\u2019in \u00f6zg\u00fcrl\u00fck tutkusu ile Don Jos\u00e9\u2019nin \u00e7\u0131k\u0131\u015fs\u0131z \u0131srar\u0131 arenan\u0131n kap\u0131s\u0131nda son kez \u00e7arp\u0131\u015ft\u0131. Bu sahne, sadece bir kad\u0131n\u0131n \u00f6l\u00fcm\u00fc de\u011fil; &#8220;a\u015fk&#8221; maskesi ard\u0131ndaki y\u0131k\u0131c\u0131 sahip olma arzusunun sert bir y\u00fczle\u015fmesi olarak haf\u0131zalara kaz\u0131nd\u0131.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/ankara-devlet-opera-ve-balesi-nin-carmen-adli-eseri-ulus-taki-opera-sahnesi-nde-sanatseverlerle-bulustu-yagmurun-icinden-sahneye-2482844\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/ankara-devlet-opera-ve-balesi-nin-carmen-adli-eseri-ulus-taki-opera-sahnesi-nde-sanatseverlerle-bulustu-yagmurun-icinden-sahneye-2482844<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ankara Devlet Opera ve Balesi, d\u00fcnya opera literat\u00fcr\u00fcn\u00fcn en g\u00fc\u00e7l\u00fc yap\u0131tlar\u0131ndan biri olan **&#8221;Carmen&#8221;**i, Ulus\u2019taki tarihi Opera Sahnesi\u2019nde sanatseverlerle bulu\u015fturdu. Ya\u011fmurlu bir Ankara ak\u015fam\u0131nda pr\u00f6miyeri ger\u00e7ekle\u015ftirilen eser, sadece bir a\u015fk hik\u00e2yesi de\u011fil, \u00f6zg\u00fcrl\u00fck \u0131srar\u0131 ile sahiplenme duygusunun \u00e7arp\u0131\u015ft\u0131\u011f\u0131 trajik bir manifesto olarak sahneye ta\u015f\u0131nd\u0131. Reji ve Koreografide Carlos Vilan \u0130mzas\u0131 Yap\u0131m\u0131n en belirleyici unsuru, dans\u0131n [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1109,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-1108","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/03\/74d14fb1-c7f0-4faf-ad4d-63b5edc9bac0.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1108"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/1108\/revisions"}],"predecessor-version":[{"id":1110,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/1108\/revisions\/1110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/1109"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}