{"id":2020,"date":"2026-03-12T17:46:24","date_gmt":"2026-03-12T17:46:24","guid":{"rendered":"https:\/\/odakhaber.site\/?p=2020"},"modified":"2026-03-12T17:46:24","modified_gmt":"2026-03-12T17:46:24","slug":"arsivlerin-sairi-bill-morrisona-selanikten-altin-iskender-onur-odulu","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=2020","title":{"rendered":"Ar\u015fivlerin \u015eairi Bill Morrison\u2019a Selanik\u2019ten Alt\u0131n \u0130skender Onur \u00d6d\u00fcl\u00fc"},"content":{"rendered":"\n
    \n
  1. Selanik Belgesel Film Festivali, belgesel sineman\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlayan ve ar\u015fiv g\u00f6r\u00fcnt\u00fclerine hayat veren multimedya sanat\u00e7\u0131s\u0131\u00a0Bill Morrison<\/strong>\u2019\u0131 a\u011f\u0131rlad\u0131. Belgesel sanat\u0131na sa\u011flad\u0131\u011f\u0131 e\u015fsiz katk\u0131lar nedeniyle festivalin en prestijli \u00f6d\u00fcl\u00fc olan\u00a0Alt\u0131n \u0130skender Onur \u00d6d\u00fcl\u00fc<\/strong>\u2019ne lay\u0131k g\u00f6r\u00fclen sanat\u00e7\u0131, festival kapsam\u0131nda sinemaseverler ve \u00f6\u011frencilerle bir araya geldi.<\/li>\n<\/ol>\n\n\n\n

    “Gizli \u00c7er\u00e7eveyi Ortaya \u00c7\u0131karma” Ustal\u0131k S\u0131n\u0131f\u0131<\/h3>\n\n\n\n

    \u00d6d\u00fcl t\u00f6reninin yan\u0131 s\u0131ra Morrison, \u201cGizli \u00c7er\u00e7eveyi Ortaya \u00c7\u0131karma\u201d<\/strong> ba\u015fl\u0131kl\u0131 bir ustal\u0131k s\u0131n\u0131f\u0131 (masterclass) d\u00fczenleyerek \u00e7al\u0131\u015fma metodolojisini payla\u015ft\u0131. New York Times taraf\u0131ndan “kay\u0131p filmlerin \u015fairi” olarak tan\u0131mlanan y\u00f6netmen, \u00f6zellikle zaman\u0131n y\u0131prat\u0131c\u0131 etkisine maruz kalm\u0131\u015f, nitrat bazl\u0131 filmlerden olu\u015fturdu\u011fu se\u00e7kileri izleyicilere sundu.<\/p>\n\n\n\n

    Sanat ser\u00fcvenine ressam olarak ba\u015flad\u0131\u011f\u0131n\u0131 belirten Morrison, sinemaya ge\u00e7i\u015f s\u00fcrecini ve ilham kaynaklar\u0131n\u0131 \u015fu s\u00f6zlerle aktard\u0131:<\/p>\n\n\n\n

    \n

    \u201cRessam olarak i\u015fe ba\u015flad\u0131m, en sonunda \u00fc\u00e7 boyutlu sanat formu olan sinemaya y\u00f6neldim. Cooper Union Kolej\u2019indeki profes\u00f6r\u00fcm, se\u00e7kin animasyoncu, ressam ve foto\u011fraf\u00e7\u0131 Robert Breer\u2019in \u00e7al\u0131\u015fmalar\u0131 beni b\u00fcy\u00fcledi. Hayal g\u00fcc\u00fcn\u00fc ve ilham kaynaklar\u0131yla bir araya getirerek iki paralel ger\u00e7eklik in\u015fa etmek i\u00e7in foto\u011fraf sanat\u0131n\u0131 kullan\u0131yordu. Beni b\u00fcy\u00fck deneysel film yap\u0131mc\u0131s\u0131 Ken Jacobs\u2019un eserleriyle, Kongre K\u00fct\u00fcphanesi\u2019nin ka\u011f\u0131t bask\u0131 koleksiyonuyla, 1896\u2019dan 1912\u2019ye kadar olan y\u0131llardan kalma, ka\u011f\u0131t format\u0131nda korunmu\u015f ola\u011fan\u00fcst\u00fc bir \u00f6zg\u00fcn film ar\u015fiviyle tan\u0131\u015ft\u0131rd\u0131.\u201d<\/p>\n<\/blockquote>\n\n\n\n

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    \"\"<\/figure>\n\n\n\n

    Nitrat\u0131n Esteti\u011fi ve Zaman\u0131n \u0130zleri<\/h3>\n\n\n\n

    Morrison, sunumunda bir boks\u00f6r ile bir Sufi dans\u00e7\u0131s\u0131n\u0131n yer ald\u0131\u011f\u0131 nitrat bazl\u0131 filmlerden kesitler sunarak, bu materyallerdeki do\u011fal bozulman\u0131n sanatsal bir dile nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc g\u00f6sterdi. Sanat\u00e7\u0131, kariyerindeki \u00f6nemli duraklardan biri olan ve 1899 Brooklyn g\u00f6r\u00fcnt\u00fclerinden olu\u015fan Outerborough (2005)<\/strong> ile Al Capone\u2019un hapisten \u00e7\u0131k\u0131\u015f\u0131n\u0131 bekleyen kalabal\u0131\u011f\u0131 anlatan Release (2010)<\/strong> gibi eserlerine de\u011findi.<\/p>\n\n\n\n

    Ar\u015fivlerin \u00f6nemine ve dijitalle\u015fmenin sa\u011flad\u0131\u011f\u0131 olanaklara dikkat \u00e7eken sanat\u00e7\u0131, s\u00fcreci \u015fu \u015fekilde \u00f6zetledi:<\/p>\n\n\n\n

    \n

    \u201cBu nitrat bazl\u0131 filmler bir zamanlar tavan aralar\u0131nda, bodrumlarda unutulmu\u015f, daha sonra genellikle miras yoluyla k\u00fct\u00fcphanelere ula\u015fan ve ba\u011f\u0131\u015flayan miras\u00e7\u0131lar sayesinde geni\u015f kitlelere ula\u015fan \u00f6zel koleksiyonlar. Etiketlenmemi\u015f, benden ba\u015fka kimsenin dikkatini \u00e7ekmemi\u015f, son derece zengin bir ar\u015fiv. Ge\u00e7mi\u015fte bu imkans\u0131zd\u0131 ama bug\u00fcn son derece ince filmleri modern taray\u0131c\u0131lar kullanarak dijitalle\u015ftirebiliyoruz. D\u00fczenli olarak Kongre K\u00fct\u00fcphanesi\u2019ne gidiyorum, eldeki materyallerden ne t\u00fcr filmler olu\u015fturabilece\u011fimi tasarl\u0131yorum.\u201d<\/p>\n<\/blockquote>\n\n\n\n

    Sinema: \u0130nsanl\u0131k \u0130\u00e7in Bir Metafor<\/h3>\n\n\n\n

    Sanat\u00e7\u0131ya g\u00f6re, bu y\u0131pranm\u0131\u015f g\u00f6r\u00fcnt\u00fcler sadece g\u00f6rsel birer veri de\u011fil, ayn\u0131 zamanda varolu\u015fsal birer simge. Morrison, bu bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 \u015fu derinlikli ifadelerle tamamlad\u0131:<\/p>\n\n\n\n

    \n

    \u201cBu g\u00f6r\u00fcnt\u00fcleri sanatsal bir \u015fekilde kulland\u0131\u011f\u0131ma, kay\u0131p ruhlar, \u00e7atlaklarda var olan unsurlar gibi daha geni\u015f, belki de metafizik bir kavram\u0131 y\u00fczeye \u00e7\u0131karmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131ma inan\u0131yorum. Bunlar daha \u00f6nce kimsenin g\u00f6rmedi\u011fi g\u00f6r\u00fcnt\u00fcler. Korunmad\u0131klar\u0131 s\u00fcrece onlar\u0131 sadece bir kez izleyebiliyoruz. Bu anlamda filmler bir anlamda insanl\u0131k i\u00e7in bir metafora d\u00f6n\u00fc\u015f\u00fcyor.\u201d<\/p>\n<\/blockquote>\n\n\n\n

    Aristoteles \u00dcniversitesi Sinema B\u00f6l\u00fcm\u00fc \u00f6\u011frencileri i\u00e7in de b\u00fcy\u00fck bir ilham kayna\u011f\u0131 olan bu bulu\u015fma, sineman\u0131n sadece yeni g\u00f6r\u00fcnt\u00fcler \u00fcretmek de\u011fil, unutulmu\u015f olan\u0131 onurland\u0131rmak oldu\u011funu bir kez daha kan\u0131tlad\u0131.<\/p>\n\n\n\n

    https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/bill-morrison-a-altin-iskender-onur-odulu-2486272<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    “Gizli \u00c7er\u00e7eveyi Ortaya \u00c7\u0131karma” Ustal\u0131k S\u0131n\u0131f\u0131 \u00d6d\u00fcl t\u00f6reninin yan\u0131 s\u0131ra Morrison, \u201cGizli \u00c7er\u00e7eveyi Ortaya \u00c7\u0131karma\u201d ba\u015fl\u0131kl\u0131 bir ustal\u0131k s\u0131n\u0131f\u0131 (masterclass) d\u00fczenleyerek \u00e7al\u0131\u015fma metodolojisini payla\u015ft\u0131. New York Times taraf\u0131ndan “kay\u0131p filmlerin \u015fairi” olarak tan\u0131mlanan y\u00f6netmen, \u00f6zellikle zaman\u0131n y\u0131prat\u0131c\u0131 etkisine maruz kalm\u0131\u015f, nitrat bazl\u0131 filmlerden olu\u015fturdu\u011fu se\u00e7kileri izleyicilere sundu. Sanat ser\u00fcvenine ressam olarak ba\u015flad\u0131\u011f\u0131n\u0131 belirten Morrison, sinemaya ge\u00e7i\u015f s\u00fcrecini […]<\/p>\n","protected":false},"author":3,"featured_media":2021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/03\/21f8cb4b-3555-44db-a210-877eb300f405.jpg.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2020"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2020\/revisions"}],"predecessor-version":[{"id":2023,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2020\/revisions\/2023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/2021"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}