{"id":2853,"date":"2026-03-24T19:44:19","date_gmt":"2026-03-24T19:44:19","guid":{"rendered":"https:\/\/odakhaber.site\/?p=2853"},"modified":"2026-03-24T19:44:19","modified_gmt":"2026-03-24T19:44:19","slug":"samsunun-gri-gogu-altinda-bir-opera-aksami-hanim-olan-hizmetci","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=2853","title":{"rendered":"Samsun\u2019un Gri G\u00f6\u011f\u00fc Alt\u0131nda Bir Opera Ak\u015fam\u0131: Han\u0131m Olan Hizmet\u00e7i"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Bayram vesilesiyle yolumun d\u00fc\u015ft\u00fc\u011f\u00fc Samsun\u2019un o bildik gri havas\u0131nda; denize e\u011filen bulutlar ve hafif h\u00fcz\u00fcnl\u00fc r\u00fczg\u00e2r e\u015fli\u011finde kendimi&nbsp;<strong>Atat\u00fcrk K\u00fclt\u00fcr Merkezi Zehra Y\u0131ld\u0131z Salonu<\/strong>\u2019nda buldum. Samsun Devlet Opera ve Balesi taraf\u0131ndan sahnelenen, G.B. Pergolesi\u2019nin y\u00fczy\u0131llar\u0131 a\u015fan eseri&nbsp;<strong>&#8220;Han\u0131m Olan Hizmet\u00e7i&#8221; (La Serva Padrona)<\/strong>, \u015eahan G\u00fcrkan rejisiyle T\u00fcrk\u00e7e bir yorumla izleyici kar\u015f\u0131s\u0131ndayd\u0131.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Bir Evin \u0130\u00e7indeki \u0130ktidar M\u00fccadelesi<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Eser, ilk bak\u0131\u015fta e\u011flenceli ve oyunbaz bir hik\u00e2ye gibi g\u00f6r\u00fcnse de perde a\u00e7\u0131ld\u0131k\u00e7a derinle\u015fen katmanlar\u0131n\u0131 ele veriyor. Anlat\u0131lan, basit bir ev i\u00e7i \u00e7eki\u015fmenin \u00f6tesinde; g\u00fc\u00e7, s\u0131n\u0131f, yaln\u0131zl\u0131k ve de\u011fi\u015fen rollerin hik\u00e2yesi:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Emekli Albay Uberto:<\/strong>\u00a0Hayat\u0131n\u0131 kat\u0131 kurallar ve al\u0131\u015fkanl\u0131klarla d\u00fczende tutmaya \u00e7al\u0131\u015fan, ancak bu sert kabu\u011fun alt\u0131nda k\u0131r\u0131lgan bir ruh ta\u015f\u0131yan bir adam.<\/li>\n\n\n\n<li><strong>Serpina:<\/strong>\u00a0Eve hizmet\u00e7i olarak giren ancak zekas\u0131yla dengeyi kendi lehine \u00e7evirerek evin g\u00f6r\u00fcnmeyen merkezini ele ge\u00e7iren fig\u00fcr.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">\u015eahan G\u00fcrkan\u2019\u0131n rejisi, eseri sadece g\u00fcld\u00fcr\u00fcye yaslam\u0131yor; karakterlerin i\u00e7 gerilimini ve her kahkahan\u0131n alt\u0131ndaki insani zaaflar\u0131 da g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Sahne Arkas\u0131ndaki Estetik B\u00fct\u00fcnl\u00fck<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Yap\u0131m\u0131n en g\u00fc\u00e7l\u00fc yanlar\u0131ndan biri, m\u00fczi\u011fin hik\u00e2yenin ruhunu ta\u015f\u0131yan canl\u0131 bir damar olarak kullan\u0131lmas\u0131yd\u0131. Pergolesi\u2019nin zarif ve k\u0131vrak m\u00fczi\u011fi, sahnedeki atmosferle kusursuz bir uyum yakal\u0131yor:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>M\u00fczik Sorumlusu:<\/strong>\u00a0Diego Moccia<\/li>\n\n\n\n<li><strong>Dekor Tasar\u0131m\u0131:<\/strong>\u00a0Orhan A\u00e7\u0131kg\u00f6z<\/li>\n\n\n\n<li><strong>Kost\u00fcm Tasar\u0131m\u0131:<\/strong>\u00a0G\u00fclnur \u00c7a\u011flayan<\/li>\n\n\n\n<li><strong>I\u015f\u0131k Tasar\u0131m\u0131:<\/strong>\u00a0Erdem Kuzaytepe<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">G\u00f6ze batmayan ama etkileyici bir estetik denge \u00fczerine kurulan bu d\u00fcnya, m\u00fczi\u011fin ak\u0131\u015f\u0131yla birle\u015ferek izleyiciyi i\u00e7ine al\u0131yor.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130nsan Tabiat\u0131n\u0131n K\u00fc\u00e7\u00fck Bir \u00d6zeti<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cHan\u0131m Olan Hizmet\u00e7i\u201d, b\u00fcy\u00fck laflar etmeden \u00e7ok \u015fey s\u00f6ylemeyi ba\u015far\u0131yor. Bir evin i\u00e7inden yola \u00e7\u0131karak insan\u0131n d\u00fczen kurma ihtiyac\u0131n\u0131, sevgiyi ve arzuyu bast\u0131rma \u00e7abas\u0131n\u0131 \u00f6n\u00fcm\u00fcze koyuyor. Bazen bir evin i\u00e7i, koca bir toplumun \u00f6zeti gibidir; bu eser de tam olarak bunu hissettiriyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Samsun\u2019un gri g\u00f6\u011f\u00fc alt\u0131nda, sahilden salona uzanan o k\u0131sa y\u00fcr\u00fcy\u00fc\u015f\u00fcn sonunda izledi\u011fim bu temsil, bende derin ve ho\u015f bir iz b\u0131rakt\u0131. D\u0131\u015far\u0131da deniz ve r\u00fczg\u00e2r; i\u00e7eride ise m\u00fczik ve \u0131\u015f\u0131\u011f\u0131n yaratt\u0131\u011f\u0131 o estetik d\u00fcnya, \u015fehri yeniden duymam\u0131 sa\u011flad\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/samsun-un-gri-gogu-altinda-bir-opera-aksami-hanim-olan-hizmetci-2489159\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/samsun-un-gri-gogu-altinda-bir-opera-aksami-hanim-olan-hizmetci-2489159<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bayram vesilesiyle yolumun d\u00fc\u015ft\u00fc\u011f\u00fc Samsun\u2019un o bildik gri havas\u0131nda; denize e\u011filen bulutlar ve hafif h\u00fcz\u00fcnl\u00fc r\u00fczg\u00e2r e\u015fli\u011finde kendimi&nbsp;Atat\u00fcrk K\u00fclt\u00fcr Merkezi Zehra Y\u0131ld\u0131z Salonu\u2019nda buldum. Samsun Devlet Opera ve Balesi taraf\u0131ndan sahnelenen, G.B. Pergolesi\u2019nin y\u00fczy\u0131llar\u0131 a\u015fan eseri&nbsp;&#8220;Han\u0131m Olan Hizmet\u00e7i&#8221; (La Serva Padrona), \u015eahan G\u00fcrkan rejisiyle T\u00fcrk\u00e7e bir yorumla izleyici kar\u015f\u0131s\u0131ndayd\u0131. Bir Evin \u0130\u00e7indeki \u0130ktidar M\u00fccadelesi Eser, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2854,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-2853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/03\/dfae94f7-9c72-4b22-9f9f-a1e4036bb66a.jpg.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2853"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2853\/revisions"}],"predecessor-version":[{"id":2855,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/2853\/revisions\/2855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/2854"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}