{"id":3418,"date":"2026-03-31T20:18:01","date_gmt":"2026-03-31T20:18:01","guid":{"rendered":"https:\/\/odakhaber.site\/?p=3418"},"modified":"2026-03-31T20:18:01","modified_gmt":"2026-03-31T20:18:01","slug":"istanbul-modernde-sinema-tarihine-yolculuk-sessiz-film-gunleri","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=3418","title":{"rendered":"\u0130stanbul Modern\u2019de Sinema Tarihine Yolculuk: Sessiz Film G\u00fcnleri"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><a href=\"mailto:?subject=%C4%B0stanbul%20Modernde%20Sinema%20Tarihine%20Yolculuk:%20Sessiz%20Film%20G%C3%BCnleri&amp;BODY=https:\/\/objektif.site\/2026\/03\/31\/istanbul-modernde-sinema-tarihine-yolculuk-sessiz-film-gunleri\/\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130stanbul Modern\u2019de Zaman Yolculu\u011fu: Sessiz Film G\u00fcnleri Ba\u015fl\u0131yor<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130stanbul Modern Sinema, sinema tarihinin ilk y\u0131llar\u0131na \u0131\u015f\u0131k tutan&nbsp;<strong>\u201cSessiz Film G\u00fcnleri\u201d<\/strong>&nbsp;program\u0131yla izleyicileri b\u00fcy\u00fcl\u00fc bir atmosferle bulu\u015fturuyor.&nbsp;<strong>2\u20135 Nisan 2026<\/strong>&nbsp;tarihleri aras\u0131nda ger\u00e7ekle\u015fecek etkinlik, restore edilen nadide yap\u0131mlar\u0131 canl\u0131 m\u00fczik performanslar\u0131yla birle\u015ftirerek modern bir seyir deneyimi sunuyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Canl\u0131 Notalar ve Erken D\u00f6nem Renkleri<\/strong>&nbsp;Eye Filmmuseum ortakl\u0131\u011f\u0131 ve Elif Rongen Kaynak\u00e7\u0131\u2019n\u0131n e\u015f k\u00fcrat\u00f6rl\u00fc\u011f\u00fcyle haz\u0131rlanan se\u00e7ki, 1910 ile 1930 y\u0131llar\u0131 aras\u0131ndaki d\u00f6neme odaklan\u0131yor. Bu y\u0131l\u0131n ana temas\u0131, erken sinemadaki etkileyici \u201cstencil\u201d (\u015fablon) renklendirme tekni\u011fi olarak belirlendi. Programdaki yedi film; \u0130talyan piyanist&nbsp;<strong>Andrea Goretti<\/strong>,&nbsp;<strong>Ekin Fil<\/strong>,&nbsp;<strong>Kornelia Binicewicz<\/strong>,&nbsp;<strong>Komos<\/strong>&nbsp;grubu,&nbsp;<strong>Gonca Varol<\/strong>&nbsp;ve&nbsp;<strong>Orhan Deniz &amp; Onur Ba\u015fkurt<\/strong>&nbsp;gibi isimlerin canl\u0131 icralar\u0131 e\u015fli\u011finde beyaz perdeye yans\u0131yacak.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kay\u0131p Hazineler ve \u0130lk G\u00f6sterimler<\/strong>&nbsp;13 filmden olu\u015fan zengin program\u0131n en heyecan verici ba\u015fl\u0131klar\u0131ndan biri,&nbsp;<strong>Muhsin Ertu\u011frul<\/strong>&nbsp;imzal\u0131&nbsp;<strong>Tamilla (1924)<\/strong>. Uzun y\u0131llar ula\u015f\u0131lamayan ve kay\u0131p say\u0131lan film, restore edilmi\u015f uzun versiyonuyla T\u00fcrkiye\u2019de ilk kez izleyici kar\u015f\u0131s\u0131na \u00e7\u0131kacak. Ayr\u0131ca, \u0130ran Yeni Dalgas\u0131\u2019n\u0131n mihenk ta\u015flar\u0131ndan Dariush Mehrjui\u2019nin&nbsp;<strong>Postac\u0131 (1972)<\/strong>&nbsp;filmi de T\u00fcrkiye pr\u00f6miyerini bu etkinlik kapsam\u0131nda yapacak.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Avangart Se\u00e7kiler ve Tematik Ba\u015fl\u0131klar<\/strong>&nbsp;Programda Robert Wiene\u2019nin&nbsp;<strong>Raskolnikov<\/strong>, M\u00e1rio Peixoto\u2019nun&nbsp;<strong>Limite<\/strong>ve Mikhail Kaufman\u2019\u0131n&nbsp;<strong>Baharda<\/strong>&nbsp;gibi k\u00fclt yap\u0131mlar\u0131n\u0131n yan\u0131 s\u0131ra; \u201cFantastik \u00c7i\u00e7ekler\u201d, \u201cDefile\/Sinema\u201d ve \u201cVah\u015fi A\u015fk\u201d gibi tematik b\u00f6l\u00fcmlerle erken d\u00f6nem sineman\u0131n moda, do\u011fa ve emek \u00fczerindeki g\u00f6rsel deneyleri ke\u015ffedilecek.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-objektif-haber wp-block-embed-objektif-haber\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"G4wwBE2aUR\"><a href=\"https:\/\/objektif.site\/2026\/03\/31\/istanbul-modernde-sinema-tarihine-yolculuk-sessiz-film-gunleri\/\">\u0130stanbul Modern\u2019de Sinema Tarihine Yolculuk: Sessiz Film G\u00fcnleri<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;\u0130stanbul Modern\u2019de Sinema Tarihine Yolculuk: Sessiz Film G\u00fcnleri&#8221; &#8212; Objektif Haber\" src=\"https:\/\/objektif.site\/2026\/03\/31\/istanbul-modernde-sinema-tarihine-yolculuk-sessiz-film-gunleri\/embed\/#?secret=wF0NsaJWlp#?secret=G4wwBE2aUR\" data-secret=\"G4wwBE2aUR\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">KARDE\u015e HABER<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130stanbul Modern\u2019de Zaman Yolculu\u011fu: Sessiz Film G\u00fcnleri Ba\u015fl\u0131yor \u0130stanbul Modern Sinema, sinema tarihinin ilk y\u0131llar\u0131na \u0131\u015f\u0131k tutan&nbsp;\u201cSessiz Film G\u00fcnleri\u201d&nbsp;program\u0131yla izleyicileri b\u00fcy\u00fcl\u00fc bir atmosferle bulu\u015fturuyor.&nbsp;2\u20135 Nisan 2026&nbsp;tarihleri aras\u0131nda ger\u00e7ekle\u015fecek etkinlik, restore edilen nadide yap\u0131mlar\u0131 canl\u0131 m\u00fczik performanslar\u0131yla birle\u015ftirerek modern bir seyir deneyimi sunuyor. Canl\u0131 Notalar ve Erken D\u00f6nem Renkleri&nbsp;Eye Filmmuseum ortakl\u0131\u011f\u0131 ve Elif Rongen Kaynak\u00e7\u0131\u2019n\u0131n e\u015f [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3419,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/03\/IMG_0389.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3418"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3418\/revisions"}],"predecessor-version":[{"id":3420,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3418\/revisions\/3420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/3419"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}