{"id":3461,"date":"2026-04-01T17:02:38","date_gmt":"2026-04-01T17:02:38","guid":{"rendered":"https:\/\/odakhaber.site\/?p=3461"},"modified":"2026-04-01T17:02:38","modified_gmt":"2026-04-01T17:02:38","slug":"cihangir-atolye-sahnesinde-salozun-mavali-fasizm-ve-somuruye-karsi-bir-ciglik","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=3461","title":{"rendered":"Cihangir At\u00f6lye Sahnesi&#8217;nde &#8216;Saloz\u2019un Maval\u0131&#8217;: Fa\u015fizm ve S\u00f6m\u00fcr\u00fcye Kar\u015f\u0131 Bir \u00c7\u0131\u011fl\u0131k"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Cihangir At\u00f6lye Sahnesi (CAS) taraf\u0131ndan sahnelenen&nbsp;<strong>\u201cSaloz\u2019un Maval\u0131\u201d<\/strong>, diktat\u00f6rl\u00fck, s\u00f6m\u00fcrgecilik ve s\u0131n\u0131f \u00e7at\u0131\u015fmas\u0131n\u0131 ele\u015ftirel bir dille ele alarak tiyatronun politik g\u00fcc\u00fcn\u00fc yeniden hat\u0131rlat\u0131yor. Peter Weiss\u2019\u0131n kaleme ald\u0131\u011f\u0131, Can Y\u00fccel\u2019in \u00f6zg\u00fcn T\u00fcrk\u00e7esiyle hayat bulan eser, \u00f6n\u00fcm\u00fczdeki sezonda da izleyiciyle bulu\u015fmaya devam edecek.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Peter Weiss ve Belgesel Tiyatronun \u0130zinde<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">As\u0131l ad\u0131&nbsp;<em>\u201cGesang vom Lusitanischen Popanz: mit Materialien\u201d<\/em>&nbsp;olan yap\u0131t, 1970\u2019lerin ba\u015f\u0131nda&nbsp;<strong>Can Y\u00fccel<\/strong>\u2019in kaleminden \u00e7\u0131kan&nbsp;<strong>\u201cSaloz\u2019un Maval\u0131\u201d<\/strong>&nbsp;ismiyle T\u00fcrk tiyatro literat\u00fcr\u00fcne kazand\u0131r\u0131ld\u0131. Bertolt Brecht\u2019ten sonraki en \u00f6nemli yazarlar aras\u0131nda g\u00f6sterilen ve Almanya\u2019da &#8220;belgesel tiyatro&#8221;nun \u00f6nc\u00fclerinden kabul edilen Peter Weiss\u2019\u0131n bu eseri;&nbsp;<em>\u201cMarat\\Sade\u201d<\/em>&nbsp;ve&nbsp;<em>\u201cSoru\u015fturma\u201d<\/em>&nbsp;ile birlikte yazar\u0131n en \u00f6nemli yap\u0131 ta\u015flar\u0131ndan biri olarak g\u00f6r\u00fcl\u00fcyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Salazar Rejiminden Evrensel S\u00f6m\u00fcr\u00fcye<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">2017 y\u0131l\u0131nda&nbsp;<strong>Arzu Gamze K\u0131l\u0131n\u00e7<\/strong>&nbsp;ve&nbsp;<strong>Muhammet Uzuner<\/strong>&nbsp;taraf\u0131ndan kurulan CAS b\u00fcnyesinde sahnelenen oyunu Muhammet Uzuner y\u00f6netiyor. Eser, Portekiz\u2019de 1932\u2019de iktidara gelen&nbsp;<strong>Antonio Salazar<\/strong>\u2019\u0131n 36 y\u0131ll\u0131k bask\u0131, \u015fiddet ve s\u00f6m\u00fcr\u00fc d\u00f6nemini oda\u011f\u0131na al\u0131yor. Sahnede sadece bir siyasi fig\u00fcr de\u011fil; s\u00f6m\u00fcrgecilik tarihi, s\u0131n\u0131f \u00e7at\u0131\u015fmas\u0131 ve m\u00fclkiyet kavram\u0131 ele\u015ftirel bir s\u00fczge\u00e7ten ge\u00e7iriliyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">60 dakika s\u00fcren performans\u0131n teknik ve sanatsal detaylar\u0131 dikkat \u00e7ekiyor:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Dinamik Sahne:<\/strong>\u00a0Koreografisi Hicran Ak\u0131n\u2019a, \u0131\u015f\u0131k tasar\u0131m\u0131 Onur Alag\u00f6z\u2019e ait olan oyunda kullan\u0131lan beyaz ve siyah bezler fa\u015fizmi simgeliyor.<\/li>\n\n\n\n<li><strong>Kukla Tasar\u0131m\u0131:<\/strong>\u00a0Selda Uyan taraf\u0131ndan tasarlanan ve &#8220;Saloz&#8221;u simgeleyen i\u011fren\u00e7 g\u00f6r\u00fcn\u00fcml\u00fc kukla, didaktik ak\u0131\u015f\u0131 k\u0131rarak izleyiciyi atmosferin i\u00e7inde tutuyor.<\/li>\n\n\n\n<li><strong>Oyuncu Kadrosu:<\/strong>\u00a0Sahnede Alper \u0130rvan, Aylin G\u00fcnd\u00fcz, Bar\u0131\u015f Kaan G\u00fcven, Berfin Karatay, Boran \u00d6zsayg\u0131, Can Se\u00e7ki, Dorukhan Kenger, Furkan \u00d6zkan, Murat Aytekin, Onur \u00d6zer, \u00d6mercan \u00c7elebi, Selda Uyan ve Zuhal Atalay yer al\u0131yor.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Can Y\u00fccel\u2019in \u00d6zg\u00fcnl\u00fc\u011f\u00fc ve &#8220;Bizdenlik&#8221;<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Metnin bug\u00fcne dek canl\u0131l\u0131\u011f\u0131n\u0131 korumas\u0131n\u0131n temelinde yatan en \u00f6nemli unsur, Can Y\u00fccel \u00e7evirisinin yaratt\u0131\u011f\u0131 &#8220;bizdenlik&#8221; duygusu. D\u00fcnyadaki s\u00f6m\u00fcr\u00fc d\u00fczeni ve diktat\u00f6rl\u00fcklerin \u015fekil de\u011fi\u015ftirerek s\u00fcrmesi, metni g\u00fcncel k\u0131larken Y\u00fccel\u2019in \u015fu ifadeleri eserin ruhunu \u00f6zetliyor:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cNeymi\u015f, efendim, devlet meseleleri demokratik yoldan halledilmeliymi\u015f! Yani her bilmem-nesi kalkan Memi\u015f idareye maslahatl\u0131k edecekmi\u015f!&#8230;\u201d<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">Kolektif Ruh ve Gelecek Sezon<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Kolektif d\u00fc\u015f\u00fcnceyi temel ilke edinen CAS, bu anlay\u0131\u015f\u0131 sahneye ba\u015far\u0131yla yans\u0131t\u0131yor.&nbsp;<em>\u201c\u00d6denmeyecek! \u00d6demiyoruz!\u201d<\/em>,&nbsp;<em>\u201cNeredeyse E\u015fittir\u201d<\/em>&nbsp;ve&nbsp;<em>\u201cJoko\u2019nun Do\u011fum G\u00fcn\u00fc\u201d<\/em>&nbsp;gibi yap\u0131mlar\u0131yla tan\u0131nan topluluk, \u201cSaloz\u2019un Maval\u0131\u201dn\u0131 \u00f6n\u00fcm\u00fczdeki sezonda da sahnelemeyi s\u00fcrd\u00fcrecek.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tiyatrolar\u0131n ayakta kalma m\u00fccadelesi verdi\u011fi bu d\u00f6nemde, s\u00f6m\u00fcr\u00fc d\u00fczeni ve fa\u015fizmin h\u00e2l\u00e2 &#8220;yan\u0131 ba\u015f\u0131m\u0131zda&#8221; oldu\u011funu hat\u0131rlatan bu eser i\u00e7in tek bir slogan y\u00fckseliyor:&nbsp;<strong>\u201cYa\u015fas\u0131n tiyatro\u201d<\/strong>&nbsp;ve daha \u00f6nemlisi,&nbsp;<strong>\u201cTiyatrolar ya\u015fas\u0131n!\u201d<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/cas-in-sahneledigi-saloz-un-mavali-onumuzdeki-sezon-da-devam-edecek-ne-fasizm-oldu-ne-de-somuru-2491314\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/cas-in-sahneledigi-saloz-un-mavali-onumuzdeki-sezon-da-devam-edecek-ne-fasizm-oldu-ne-de-somuru-2491314<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cihangir At\u00f6lye Sahnesi (CAS) taraf\u0131ndan sahnelenen&nbsp;\u201cSaloz\u2019un Maval\u0131\u201d, diktat\u00f6rl\u00fck, s\u00f6m\u00fcrgecilik ve s\u0131n\u0131f \u00e7at\u0131\u015fmas\u0131n\u0131 ele\u015ftirel bir dille ele alarak tiyatronun politik g\u00fcc\u00fcn\u00fc yeniden hat\u0131rlat\u0131yor. Peter Weiss\u2019\u0131n kaleme ald\u0131\u011f\u0131, Can Y\u00fccel\u2019in \u00f6zg\u00fcn T\u00fcrk\u00e7esiyle hayat bulan eser, \u00f6n\u00fcm\u00fczdeki sezonda da izleyiciyle bulu\u015fmaya devam edecek. Peter Weiss ve Belgesel Tiyatronun \u0130zinde As\u0131l ad\u0131&nbsp;\u201cGesang vom Lusitanischen Popanz: mit Materialien\u201d&nbsp;olan yap\u0131t, 1970\u2019lerin [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3462,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/04\/IMG_2321.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3461"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3461\/revisions"}],"predecessor-version":[{"id":3463,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3461\/revisions\/3463"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/3462"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}