{"id":3717,"date":"2026-04-04T17:52:05","date_gmt":"2026-04-04T17:52:05","guid":{"rendered":"https:\/\/odakhaber.site\/?p=3717"},"modified":"2026-04-04T17:52:05","modified_gmt":"2026-04-04T17:52:05","slug":"isigin-ve-kirilganligin-dansi-mustafa-agatekinden-cember-sergisi","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=3717","title":{"rendered":"I\u015f\u0131\u011f\u0131n ve K\u0131r\u0131lganl\u0131\u011f\u0131n Dans\u0131: Mustafa A\u011fatekin\u2019den “\u00c7ember” Sergisi"},"content":{"rendered":"\n

Ankara\u2019n\u0131n bahar serinli\u011finde, Armoni Sanat Galerisi kap\u0131lar\u0131n\u0131 cam\u0131n b\u00fcy\u00fcleyici d\u00fcnyas\u0131na a\u00e7t\u0131. Sanat\u00e7\u0131 Mustafa A\u011fatekin\u2019in “\u00c7ember” isimli sergisi, malzemenin nazl\u0131 do\u011fas\u0131yla insan\u0131n i\u00e7 d\u00fcnyas\u0131ndaki derin yaralar\u0131 bir araya getiriyor. 30 Nisan 2026 tarihine kadar ziyaret edilebilecek olan bu se\u00e7ki; y\u00fcz, haf\u0131za ve belirsizlik temalar\u0131n\u0131 cam\u0131n ge\u00e7irgen diliyle yeniden yorumluyor.<\/p>\n\n\n\n

Cam\u0131n \u00d6tesindeki \u0130nsani Hakikat<\/h3>\n\n\n\n

Galeriden i\u00e7eri girer girmez izleyiciyi ku\u015fatan cam\u0131n b\u00fcy\u00fcs\u00fc, sadece g\u00f6rsel bir \u015f\u00f6len sunmakla kalm\u0131yor; sab\u0131r, denge ve neredeyse ahlaki bir incelik isteyen bir sanat prati\u011fini g\u00f6zler \u00f6n\u00fcne seriyor. Cam, sanat\u00e7\u0131dan bir anl\u0131k hatay\u0131 bile affetmeyen teknik bir disiplin talep ederken, do\u011fru dokunu\u015fla \u0131\u015f\u0131\u011f\u0131 bir d\u00fc\u015f\u00fcnce bi\u00e7imine d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n\n\n\n

“\u00c7ember” sergisi, bu hassas dengenin \u00fczerinde y\u00fckseliyor. Eserlerde cam; insan\u0131n i\u00e7 k\u0131r\u0131klar\u0131yla, par\u00e7alanm\u0131\u015f haf\u0131zas\u0131yla ve yerini arayan ruh haliyle bulu\u015fuyor. Sergi metninde de vurguland\u0131\u011f\u0131 \u00fczere:<\/p>\n\n\n\n

\n

\u201c\u00c7ember, \u00f6zne ile mek\u00e2n aras\u0131ndaki k\u0131r\u0131lgan, s\u00fcreksiz ve y\u00f6n\u00fcn\u00fc yitirmi\u015f ili\u015fkiyi oda\u011f\u0131na al\u0131yor; fig\u00fcr tamamlanm\u0131\u015f bir b\u00fct\u00fcn olarak de\u011fil, ertelenen, da\u011f\u0131lan, yeniden kurulmaya \u00e7al\u0131\u015fan bir olu\u015f h\u00e2li olarak beliriyor.\u201d<\/p>\n<\/blockquote>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Hareket Var Ama \u00c7\u0131k\u0131\u015f Belirsiz<\/h3>\n\n\n\n

Serginin merkezindeki “\u00e7ember” formu, hareketin oldu\u011fu ancak ilerlemenin ger\u00e7ekle\u015fmedi\u011fi, \u00e7\u0131k\u0131\u015f\u0131 belirsiz bir dola\u015f\u0131m\u0131 simgeliyor. Eserlerdeki y\u00fczler tek par\u00e7a de\u011fil; b\u00f6l\u00fcnm\u00fc\u015f, \u00e7o\u011falm\u0131\u015f ve i\u00e7 i\u00e7e ge\u00e7mi\u015f durumda. Cam\u0131n \u015feffafl\u0131\u011f\u0131 bu fig\u00fcrleri sadece g\u00f6r\u00fcn\u00fcr k\u0131lm\u0131yor, ayn\u0131 zamanda onlar\u0131 daha insani ve ge\u00e7ici hissettiriyor. I\u015f\u0131\u011f\u0131n esere d\u00fc\u015fme a\u00e7\u0131s\u0131yla de\u011fi\u015fen anlamlar, i\u00e7 ile d\u0131\u015f aras\u0131ndaki s\u0131n\u0131r\u0131 bulan\u0131kla\u015ft\u0131rarak \u00f6zne ile mek\u00e2n aras\u0131ndaki ayr\u0131m\u0131 ask\u0131ya al\u0131yor.<\/p>\n\n\n\n

A\u011fatekin\u2019in i\u015flerinde k\u0131r\u0131lganl\u0131k bir zay\u0131fl\u0131k de\u011fil, anlat\u0131n\u0131n en g\u00fc\u00e7l\u00fc damar\u0131 olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Cam\u0131n \u00e7atlamaya meyilli do\u011fas\u0131 ile insan ruhunun \u00e7atall\u0131 yap\u0131s\u0131 aras\u0131nda kurulan bu akrabal\u0131k, sergiyi g\u00f6steri\u015ften uzak ama derinden etkileyici bir noktaya ta\u015f\u0131yor.<\/p>\n\n\n\n

Seramikten Cama Uzanan Sanat Yolculu\u011fu<\/h3>\n\n\n\n

Mustafa A\u011fatekin\u2019in 1991 y\u0131l\u0131nda Anadolu \u00dcniversitesi Seramik B\u00f6l\u00fcm\u00fc\u2019nden mezuniyetiyle ba\u015flayan yolculu\u011fu, 2002 y\u0131l\u0131ndan itibaren cam malzemeyle derinle\u015fmi\u015f. Sanat\u00e7\u0131n\u0131n kendi geli\u015ftirdi\u011fi teknikle seramik ve cam\u0131 sentezledi\u011fi bu pratik, sergideki teknik olgunlu\u011fun temelini olu\u015fturuyor. Halen ayn\u0131 \u00fcniversitede \u00f6\u011fretim \u00fcyesi olan A\u011fatekin, “Cam \u0130\u00e7i Seramik” olarak tan\u0131mlanan eserlerinde resimsel etkiyle heykelsi duru\u015fu ayn\u0131 g\u00f6vdede bulu\u015fturuyor.<\/p>\n\n\n\n

\u0130\u00e7imize Dokunan Bir D\u00fcnya<\/h2>\n\n\n\n

“\u00c7ember”, sadece g\u00f6ze hitap eden bir sergi olman\u0131n \u00f6tesinde, insan\u0131n kendi y\u00f6n aray\u0131\u015f\u0131n\u0131 ve i\u00e7sel \u00e7emberlerini sorgulatan bir deneyim sunuyor. Cam\u0131n \u00fcst\u00fcnde ve i\u00e7inde kurulan bu d\u00fcnya, izleyiciyi kendi k\u0131r\u0131lganl\u0131\u011f\u0131yla y\u00fczle\u015fmeye davet ediyor. Baz\u0131 sergiler sadece g\u00f6r\u00fclmez; insan\u0131n i\u00e7inde bir yere yerle\u015fir. “\u00c7ember” de tam olarak b\u00f6yle bir iz b\u0131rak\u0131yor.<\/p>\n\n\n\n

https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/camin-icinden-gecen-hayat-2492287<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ankara\u2019n\u0131n bahar serinli\u011finde, Armoni Sanat Galerisi kap\u0131lar\u0131n\u0131 cam\u0131n b\u00fcy\u00fcleyici d\u00fcnyas\u0131na a\u00e7t\u0131. Sanat\u00e7\u0131 Mustafa A\u011fatekin\u2019in “\u00c7ember” isimli sergisi, malzemenin nazl\u0131 do\u011fas\u0131yla insan\u0131n i\u00e7 d\u00fcnyas\u0131ndaki derin yaralar\u0131 bir araya getiriyor. 30 Nisan 2026 tarihine kadar ziyaret edilebilecek olan bu se\u00e7ki; y\u00fcz, haf\u0131za ve belirsizlik temalar\u0131n\u0131 cam\u0131n ge\u00e7irgen diliyle yeniden yorumluyor. Cam\u0131n \u00d6tesindeki \u0130nsani Hakikat Galeriden i\u00e7eri girer […]<\/p>\n","protected":false},"author":3,"featured_media":3719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/04\/IMG_2357.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3717"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3717\/revisions"}],"predecessor-version":[{"id":3720,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3717\/revisions\/3720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/3719"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}