{"id":3963,"date":"2026-04-08T19:32:58","date_gmt":"2026-04-08T19:32:58","guid":{"rendered":"https:\/\/odakhaber.site\/?p=3963"},"modified":"2026-04-08T19:32:58","modified_gmt":"2026-04-08T19:32:58","slug":"ankarada-soyutun-derinligi-adnan-cokerden-mutlak-siyah-sergisi","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=3963","title":{"rendered":"ANKARA\u2019DA SOYUTUN DER\u0130NL\u0130\u011e\u0130: ADNAN \u00c7OKER\u2019DEN \u201cMUTLAK S\u0130YAH\u201d SERG\u0130S\u0130"},"content":{"rendered":"\n<p><strong>Siyah\u0131n Sessiz G\u00fcc\u00fc Do\u011fan Ta\u015fdelen \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde \u0130zleyiciyle Bulu\u015fuyor<\/strong><\/p>\n\n\n\n<p>T\u00fcrk resminin soyut d\u00fcnyadaki en g\u00fc\u00e7l\u00fc temsilcilerinden biri olan Adnan \u00c7oker\u2019in farkl\u0131 d\u00f6nemlerini kapsayan \u201cMutlak Siyah\u201d sergisi, \u00c7ankaya Belediyesi Do\u011fan Ta\u015fdelen \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde sanatseverlere kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. 26 Nisan\u2019a kadar s\u00fcrecek olan bu kapsaml\u0131 sergi, izleyiciyi siyah\u0131n karanl\u0131k bir renk olmaktan \u00f6te, derinli\u011fin ve \u0131\u015f\u0131\u011f\u0131n kurucu bir zemini oldu\u011fu bir yolculu\u011fa \u00e7\u0131kar\u0131yor.<\/p>\n\n\n\n<p><strong>Ankara\u2019n\u0131n Grisi ve \u00c7oker\u2019in Siyah\u0131<\/strong><\/p>\n\n\n\n<p>Bahar\u0131n e\u015fi\u011findeki Ankara\u2019n\u0131n kendine has puslu ve gri havas\u0131, Adnan \u00c7oker\u2019in a\u011f\u0131rba\u015fl\u0131 diliyle galeri i\u00e7erisinde derin bir z\u0131tl\u0131k olu\u015fturuyor. Sergi, kar\u015f\u0131m\u0131zda duran\u0131n sadece estetik birer yap\u0131t de\u011fil, on y\u0131llar s\u00fcren ciddi bir plastik d\u00fc\u015f\u00fcncenin \u00fcr\u00fcn\u00fc oldu\u011funu daha ilk bak\u0131\u015fta hissettiriyor. \u00c7oker\u2019in resmindeki as\u0131l g\u00fc\u00e7, soyutu bi\u00e7imsel bir tercih olman\u0131n \u00f6tesine ta\u015f\u0131yarak, resmi kendi i\u00e7 yasalar\u0131n\u0131 kuran ba\u011f\u0131ms\u0131z bir alan haline getirmesinde yat\u0131yor.<\/p>\n\n\n\n<p><strong>Soyut Resmin \u00d6nc\u00fc \u0130smi<\/strong><\/p>\n\n\n\n<p>1927 \u0130stanbul do\u011fumlu sanat\u00e7\u0131, G\u00fczel Sanatlar Akademisi\u2019nde Zeki Kocamemi\u2019den ald\u0131\u011f\u0131 e\u011fitimin ard\u0131ndan 1955\u2019te Paris\u2019te Andr\u00e9 Lhote ve Henri Goetz gibi isimlerle \u00e7al\u0131\u015ft\u0131. 1953 y\u0131l\u0131nda L\u00fctf\u00fc G\u00fcnay ile Ankara\u2019da a\u00e7t\u0131\u011f\u0131 sergiyle T\u00fcrkiye\u2019de soyut resmin \u00f6nc\u00fclerinden biri olan \u00c7oker, zamanla siyaha y\u00f6nelerek bu rengi bo\u015flu\u011fu kuran ana alan haline getirdi.<\/p>\n\n\n\n<p>Sergide yer alan kompozisyonlar, son derece ar\u0131t\u0131lm\u0131\u015f g\u00f6r\u00fcnmelerine ra\u011fmen izleyiciye katman katman a\u00e7\u0131l\u0131yor. \u0130nce \u0131\u015f\u0131k \u00e7izgileri, mimari denge duygusu ve kubbeyi and\u0131ran formlar, resimlerin sessiz gerilimini g\u00f6r\u00fcn\u00fcr k\u0131larken, siyah rengi izleyiciyi d\u0131\u015far\u0131 itmek yerine i\u00e7eriye do\u011fru davet ediyor.<\/p>\n\n\n\n<p><strong>Geometrinin ve Mimari Bo\u015flu\u011fun Nabz\u0131<\/strong><\/p>\n\n\n\n<p>Adnan \u00c7oker\u2019in sanat\u0131, geometriyi kuru bir matematikten \u00e7\u0131kar\u0131p y\u00fczeyin i\u00e7inde atan bir nabza d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. Kimi zaman bir ge\u00e7idi, kimi zaman Do\u011fu\u2019nun yap\u0131sal haf\u0131zas\u0131n\u0131 bar\u0131nd\u0131ran kubbeleri \u00e7a\u011fr\u0131\u015ft\u0131ran bu eserlerde, modernist ar\u0131nma ile k\u00fclt\u00fcrel derinlik e\u015fsiz bir dengede bulu\u015fuyor. Sanat\u00e7\u0131, ne kolayc\u0131 bir yerelli\u011fe ne de \u00f6d\u00fcn\u00e7 bir modernli\u011fe s\u0131\u011f\u0131n\u0131yor; kendi \u00f6zg\u00fcn dilini ciddiyetle in\u015fa ediyor.<\/p>\n\n\n\n<p>G\u00f6rsel g\u00fcr\u00fclt\u00fcn\u00fcn her ge\u00e7en g\u00fcn artt\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde, Adnan \u00c7oker &#8220;daha azla daha \u00e7ok \u015fey s\u00f6yleyen&#8221; bir usta olarak kal\u0131c\u0131l\u0131\u011f\u0131n\u0131 bir kez daha kan\u0131tl\u0131yor. &#8220;Mutlak Siyah&#8221;, sadece gezilen bir sergi de\u011fil; siyah\u0131n bir karanl\u0131k de\u011fil, derinlik olabilece\u011fini g\u00f6steren kal\u0131c\u0131 bir deneyim olarak 26 Nisan\u2019a kadar ba\u015fkentte izlenebilecek.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/siyahin-kurdugu-alan-2493281\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/siyahin-kurdugu-alan-2493281<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Siyah\u0131n Sessiz G\u00fcc\u00fc Do\u011fan Ta\u015fdelen \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde \u0130zleyiciyle Bulu\u015fuyor T\u00fcrk resminin soyut d\u00fcnyadaki en g\u00fc\u00e7l\u00fc temsilcilerinden biri olan Adnan \u00c7oker\u2019in farkl\u0131 d\u00f6nemlerini kapsayan \u201cMutlak Siyah\u201d sergisi, \u00c7ankaya Belediyesi Do\u011fan Ta\u015fdelen \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde sanatseverlere kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. 26 Nisan\u2019a kadar s\u00fcrecek olan bu kapsaml\u0131 sergi, izleyiciyi siyah\u0131n karanl\u0131k bir renk olmaktan \u00f6te, derinli\u011fin ve \u0131\u015f\u0131\u011f\u0131n [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3964,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/04\/14ce32b7-f540-4798-a8a0-67980613698e.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3963"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3963\/revisions"}],"predecessor-version":[{"id":3965,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/3963\/revisions\/3965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/3964"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}