Borusan \u0130stanbul Filarmoni Orkestras\u0131 (B\u0130FO), m\u00fczik tarihinin en sars\u0131c\u0131 fig\u00fcrlerinden biri olan Dimitri \u015eostakovi\u00e7\u2019i, do\u011fumunun 120. y\u0131l\u0131nda \u00e7ok \u00f6zel bir repertuvarla selamlad\u0131. 16 Nisan ak\u015fam\u0131 L\u00fctfi K\u0131rdar As\u0131m Kocab\u0131y\u0131k Anadolu Oditoryumu\u2019nda ger\u00e7ekle\u015fen “Yirminci Y\u00fczy\u0131l\u0131n Ezgileri” temal\u0131 konser, daimi \u015fef Carlo Tenan y\u00f6netiminde dinleyicilere unutulmaz bir atmosfer sundu.<\/p>\n\n\n\n
Gecenin a\u00e7\u0131l\u0131\u015f\u0131 Beethoven\u2019\u0131n ma\u011frur eseri \u201cPrometheus\u2019un Yarat\u0131klar\u0131 Uvert\u00fcr\u00fc\u201d ile yap\u0131ld\u0131. Konserin orijinal program\u0131nda yer alan solist Daniel Hope\u2019un kat\u0131lamamas\u0131 nedeniyle, Elgar\u2019\u0131n Keman Kon\u00e7ertosu yerine Beethoven\u2019\u0131n 1. Senfonisi seslendirildi. Gecenin finali ise Nino Rota\u2019n\u0131n Fellini klasi\u011fi 8\u00bd<\/em> filmi i\u00e7in besteledi\u011fi “La Passerella d’addio”nun co\u015fkulu t\u0131n\u0131lar\u0131yla yap\u0131ld\u0131.<\/p>\n\n\n\n Konserin odak noktas\u0131nda, bu y\u0131l do\u011fumunun 120. y\u0131l\u0131, ge\u00e7ti\u011fimiz y\u0131l ise \u00f6l\u00fcm\u00fcn\u00fcn 50. y\u0131l\u0131 dolay\u0131s\u0131yla t\u00fcm d\u00fcnyada eserleri yank\u0131lanan \u015eostakovi\u00e7 vard\u0131. Bestecinin derinlikli ve dramatik yap\u0131s\u0131yla bilinen 6. Senfonisi, B\u0130FO\u2019nun usta yorumuyla sahneye ta\u015f\u0131nd\u0131.<\/p>\n\n\n\n Sezon boyunca \u015eostakovi\u00e7 eserlerine \u00f6zel bir yer ay\u0131ran daimi \u015fef Carlo Tenan, Rus besteciye olan hayranl\u0131\u011f\u0131n\u0131 \u015fu s\u00f6zlerle dile getirdi:<\/p>\n\n\n\n “Ses d\u00fcnyas\u0131, m\u00fczikalitesiyle Rus besteciler aras\u0131nda benim i\u00e7in en iyisi. \u00d6zellikle piyano repertuvar\u0131n\u0131 ve tabii ki oda m\u00fczi\u011fini seviyorum. Senfonileri ise \u015fefler i\u00e7in ba\u015fyap\u0131tlar. Dimitri \u015eostakovi\u00e7\u2019in eserlerindeki atmosfer: \u00e7ok so\u011fuk, \u00e7ok derin, i\u00e7e i\u015fleyen, h\u00fcz\u00fcnl\u00fc. \u0130\u00e7inizde hissetti\u011finiz bir manzara gibi, \u00fc\u00e7 nota ile bile o manzaray\u0131, o hissi, o atmosferi yaratabiliyor. Sadece \u00fc\u00e7 nota! Bunun nas\u0131l m\u00fcmk\u00fcn oldu\u011funu bilmiyorum. Onun m\u00fczi\u011finde i\u00e7imde bir\u00e7ok \u015fey hissediyorum.”<\/p>\n<\/blockquote>\n\n\n\n Tenan\u2019\u0131n vurgulad\u0131\u011f\u0131 gibi, \u015eostakovi\u00e7\u2019in m\u00fczi\u011fi sadece notalardan ibaret de\u011fil; dinleyicinin ruhuna i\u015fleyen, h\u00fcz\u00fcnle derinli\u011fi birle\u015ftiren bir manzara sunuyor. B\u0130FO\u2019nun bu \u00f6zel performans\u0131, 20. y\u00fczy\u0131l m\u00fczi\u011finin bu dev ismine lay\u0131k bir anma t\u00f6reni olarak haf\u0131zalara kaz\u0131nd\u0131.<\/p>\n\n\n\nGecenin Kalbi: \u015eostakovi\u00e7\u2019in 6. Senfonisi<\/h3>\n\n\n\n
\n\n\n\nCarlo Tenan: “\u00dc\u00e7 Nota \u0130le Bir Manzara Yaratabiliyor”<\/h3>\n\n\n\n
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M\u00fczi\u011fin \u0130\u00e7ine \u0130\u015fleyen Bir Atmosfer<\/h3>\n\n\n\n