{"id":4612,"date":"2026-04-20T20:29:00","date_gmt":"2026-04-20T20:29:00","guid":{"rendered":"https:\/\/odakhaber.site\/?p=4612"},"modified":"2026-04-20T20:29:00","modified_gmt":"2026-04-20T20:29:00","slug":"perde-45-yildir-acik-istanbul-film-festivalinin-bitmeyen-gencligi","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=4612","title":{"rendered":"Perde 45 Y\u0131ld\u0131r A\u00e7\u0131k: \u0130stanbul Film Festivali\u2019nin Bitmeyen Gen\u00e7li\u011fi"},"content":{"rendered":"\n<p>45. \u0130stanbul Film Festivali \u00e7er\u00e7evesinde ger\u00e7ekle\u015ftirilen Metin Erksan\u2019\u0131n&nbsp;<strong>\u201cAc\u0131 Hayat\u201d<\/strong>&nbsp;filminin restorasyon g\u00f6sterimi ve sonras\u0131ndaki tematik y\u00fcr\u00fcy\u00fc\u015f, sinemaseverlere hem bir ke\u015fif alan\u0131 hem de toplumsal bir nefes alma dura\u011f\u0131 sundu.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sokaklarda \u201cAc\u0131 Hayat\u201d \u0130zinde Bir Ke\u015fif Yolculu\u011fu<\/strong><\/h2>\n\n\n\n<p>T\u00fcrk sinemas\u0131n\u0131n kilometre ta\u015flar\u0131ndan biri olan, Metin Erksan imzal\u0131&nbsp;<strong>1962 yap\u0131m\u0131 \u201cAc\u0131 Hayat\u201d<\/strong>, yenilenmi\u015f kopyas\u0131yla Atlas Sinemas\u0131\u2019nda izleyiciyle bulu\u015ftu. Manik\u00fcrc\u00fc Nermin (T\u00fcrkan \u015eoray) ile kaynak ustas\u0131 Mehmet\u2019in (Ayhan I\u015f\u0131k) imk\u00e2ns\u0131z a\u015fk\u0131n\u0131 konu alan yap\u0131m, g\u00f6sterim sonras\u0131 sinema perdelerinden Beyo\u011flu sokaklar\u0131na ta\u015f\u0131nd\u0131.<\/p>\n\n\n\n<p>Ankara Gazi \u00dcniversitesi \u00f6\u011frenci ve akademisyenlerinin giri\u015fimiyle d\u00fczenlenen etkinlikte kat\u0131l\u0131mc\u0131lar, filmin ruhunu ta\u015f\u0131yan mekanlar\u0131 ellerindeki foto\u011fraf kareleriyle yeniden ke\u015ffettiler.&nbsp;<strong>\u0130stiklal Caddesi\u2019nin kalabal\u0131\u011f\u0131ndan T\u00fcnel\u2019e, Y\u00fcksek Kald\u0131r\u0131m\u2019\u0131n dik yoku\u015flar\u0131ndan Galata K\u00f6pr\u00fcs\u00fc\u2019n\u00fcn e\u015fsiz manzaras\u0131na uzanan bu g\u00fczerg\u00e2h<\/strong>, ge\u00e7mi\u015fin izlerini g\u00fcn\u00fcm\u00fcz\u00fcn ritmiyle birle\u015ftirdi. Gen\u00e7 sinemaseverler i\u00e7in nostaljinin \u00f6tesinde bir \u201cke\u015fif\u201d anlam\u0131 ta\u015f\u0131yan bu rota, \u015fehrin de\u011fi\u015fen \u00e7ehresine ra\u011fmen sineman\u0131n \u00f6l\u00fcms\u00fcz g\u00fcc\u00fcn\u00fc bir kez daha kan\u0131tlad\u0131.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>\u0130stanbul Film Festivali: 45 Y\u0131ll\u0131k Bir Okul<\/strong><\/h2>\n\n\n\n<p>Bu y\u0131l&nbsp;<strong>45. ya\u015f\u0131n\u0131 kutlayan \u0130stanbul Film Festivali<\/strong>, bask\u0131c\u0131 d\u00f6nemlerin ard\u0131ndan sinemaseverler i\u00e7in bir \u201csinema okulu\u201d olma misyonunu s\u00fcrd\u00fcr\u00fcyor. D\u00fcnyan\u0131n karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 anlamak ve sanatsal bir perspektifle soluklanmak isteyenler i\u00e7in festival, yine \u201ctaze r\u00fczg\u00e2rlar\u201d estirmeye devam ediyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Festivalin \u00d6ne \u00c7\u0131kan Yap\u0131mlar\u0131<\/strong><\/h3>\n\n\n\n<p>Program\u0131n zengin se\u00e7kisi aras\u0131ndan \u00f6zellikle \u015fu \u00fc\u00e7 yap\u0131m ele\u015ftirmenlerin ve izleyicilerin dikkatini \u00e7ekmeyi ba\u015fard\u0131:<\/p>\n\n\n\n<ol start=\"1\" class=\"wp-block-list\">\n<li><strong>Queen at Sea:<\/strong>\u00a0Amerikal\u0131 ba\u011f\u0131ms\u0131z y\u00f6netmen Lance Hammer\u2019\u0131n imzas\u0131n\u0131 ta\u015f\u0131yan ve ba\u015frol\u00fcnde Juliette Binoche\u2019un yer ald\u0131\u011f\u0131 film.<\/li>\n\n\n\n<li><strong>\u0130simsiz Eserler Mezarl\u0131\u011f\u0131:<\/strong>\u00a0Melik Kuru\u2019nun, hem Metin Erksan\u2019dan hem de Frans\u0131z Yeni Dalga ak\u0131m\u0131ndan izler ta\u015f\u0131yan ba\u015far\u0131l\u0131 ilk uzun metraj\u0131.<\/li>\n\n\n\n<li><strong>Kuru Ta\u015f\u0131n Ba\u015f\u0131:<\/strong>\u00a0Usta y\u00f6netmen Ye\u015fim Ustao\u011flu\u2019nun sars\u0131c\u0131 bir dille ekrana ta\u015f\u0131d\u0131\u011f\u0131 belgesel \u00e7al\u0131\u015fmas\u0131.<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Sinema Salonlar\u0131 \u0130\u00e7in Umutlu Bekleyi\u015f<\/strong><\/h2>\n\n\n\n<p>Festivalin sundu\u011fu bu zengin yelpazenin ne kadar\u0131n\u0131n genel da\u011f\u0131t\u0131m a\u011f\u0131na girerek sinema salonlar\u0131na ula\u015fabilece\u011fi ise merak konusu. Festival izleyicisi, \u00f6zellikle yerli ve ba\u011f\u0131ms\u0131z yap\u0131mlar\u0131n vizyon takvimlerinde hak ettikleri yeri bulmas\u0131n\u0131 bekliyor.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-objektif-haber wp-block-embed-objektif-haber\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/objektif.site\/2026\/04\/20\/perde-45-yildir-acik-istanbul-film-festivalinin-bitmeyen-gencligi\/\n<\/div><\/figure>\n\n\n\n<p>KARDE\u015e HABER<\/p>\n","protected":false},"excerpt":{"rendered":"<p>45. \u0130stanbul Film Festivali \u00e7er\u00e7evesinde ger\u00e7ekle\u015ftirilen Metin Erksan\u2019\u0131n&nbsp;\u201cAc\u0131 Hayat\u201d&nbsp;filminin restorasyon g\u00f6sterimi ve sonras\u0131ndaki tematik y\u00fcr\u00fcy\u00fc\u015f, sinemaseverlere hem bir ke\u015fif alan\u0131 hem de toplumsal bir nefes alma dura\u011f\u0131 sundu. Sokaklarda \u201cAc\u0131 Hayat\u201d \u0130zinde Bir Ke\u015fif Yolculu\u011fu T\u00fcrk sinemas\u0131n\u0131n kilometre ta\u015flar\u0131ndan biri olan, Metin Erksan imzal\u0131&nbsp;1962 yap\u0131m\u0131 \u201cAc\u0131 Hayat\u201d, yenilenmi\u015f kopyas\u0131yla Atlas Sinemas\u0131\u2019nda izleyiciyle bulu\u015ftu. Manik\u00fcrc\u00fc Nermin [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-4612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/04\/db27b994-2275-4b1a-8036-5b8f6710fbd5.jpg.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/4612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4612"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/4612\/revisions"}],"predecessor-version":[{"id":4614,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/4612\/revisions\/4614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/4613"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}