{"id":5535,"date":"2026-05-07T20:00:07","date_gmt":"2026-05-07T20:00:07","guid":{"rendered":"https:\/\/odakhaber.site\/?p=5535"},"modified":"2026-05-07T20:00:07","modified_gmt":"2026-05-07T20:00:07","slug":"mevlana-ve-semsin-mistik-yolculugu-sahnede-bir-gecede-binbir-gece-istanbulda","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=5535","title":{"rendered":"MEVL\u00c2NA VE \u015eEMS\u2019\u0130N M\u0130ST\u0130K YOLCULU\u011eU SAHNEDE: \u2018B\u0130R GECEDE B\u0130NB\u0130R GECE\u2019 \u0130STANBUL\u2019DA"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0130ranl\u0131 yazar ve sosyolog Shahzadeh N. \u0130gual\u2019in imzas\u0131n\u0131 ta\u015f\u0131yan, Mevl\u00e2na Celaleddin-i Rumi ile \u015eems-i Tebrizi aras\u0131ndaki e\u015fsiz ruhsal ba\u011f\u0131 konu alan &#8220;Bir Gecede Binbir Gece: Bin \u015eems Bir Celaleddin&#8221; adl\u0131 m\u00fczikal anlat\u0131, 7 May\u0131s 2026 tarihinde \u0130stanbul KKM G\u00f6n\u00fcl \u00dclk\u00fc ve Gazanfer \u00d6zcan Sahnesi\u2019nde izleyiciyle bulu\u015fuyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">UNESCO tescilli kadim \u0130ran gelene\u011fi \u201cnakkallik\u201d (Naqq\u0101li) sanat\u0131n\u0131 modern bir sahneleme ile harmanlayan performans, \u015eems ve Mevl\u00e2na\u2019n\u0131n kavu\u015fmadan ayr\u0131l\u0131\u011fa, tan\u0131\u015fmadan mateme uzanan hik\u00e2yesini merkeze al\u0131yor. Shahzadeh N. \u0130gual, bizzat se\u00e7ip T\u00fcrk\u00e7eye \u00e7evirdi\u011fi Mevl\u00e2na eserlerini T\u00fcrk\u00e7e ve Fars\u00e7a dillerinde yorumlayarak, iki medeniyet aras\u0131nda edebi bir k\u00f6pr\u00fc kuruyor. Yazar\u0131n \u201cBin geceden birinde, bin \u015eems do\u011fmu\u015f bir Celaleddin\u2019in y\u00fcre\u011fine\u201d ifadesiyle betimledi\u011fi bu anlat\u0131, izleyiciyi masals\u0131 bir ser\u00fcvene davet ediyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DEV KADRODAN M\u00dcZ\u0130KAL \u015e\u00d6LEN<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y\u00f6netmenli\u011fini Helen \u015eahin\u2019in \u00fcstlendi\u011fi bu \u00f6zel organizasyonun m\u00fczik direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc piyanist Orkun Zafer \u00d6zgelen y\u00fcr\u00fct\u00fcrken, vokalde Reza Asgari sahne al\u0131yor. Geleneksel enstr\u00fcmanlar\u0131n modern t\u0131n\u0131larla bulu\u015ftu\u011fu kadroda; keman\u00e7ada \u00c7i\u00e7ek Tebrizi, udda Berkay Bakkal, tombakta Artin Khodaverdi, erbanede Murat G\u00fcrgen ve kanunda Onur Cicin yer al\u0131yor. Mevl\u00e2na\u2019n\u0131n \u201cMotreba! Aheste vur! T\u00e2 ruh insin bedene\u201d \u00e7a\u011fr\u0131s\u0131yla \u015fekillenen m\u00fczikal yap\u0131, \u015eems ve Celaleddin\u2019in manevi d\u00fcnyas\u0131n\u0131 derinle\u015ftiriyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HER SAHNEDE YEN\u0130DEN DO\u011eAN D\u0130NAM\u0130K B\u0130R ANLATTI<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edebi yolculu\u011funa Firdevsi\u2019den Haf\u0131z-\u0131 \u015eirazi\u2019ye, Hayyam\u2019dan F\u00fcru\u011f Ferruhzad\u2019a kadar uzanan bir perspektifle ba\u015flayan g\u00f6steri, zamanla evrilerek tematik bir yap\u0131 kazand\u0131. 7 May\u0131s ak\u015fam\u0131 sahnelenecek olan \u201cBin \u015eems Bir Celaleddin\u201d versiyonu, tamamen \u015eems ve Mevl\u00e2na\u2019n\u0131n mistik yolculu\u011funa odaklanan, ya\u015fayan ve her temsilde yenilenen bir eser olma \u00f6zelli\u011fi ta\u015f\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EDEB\u0130YATIN K\u00dcLT\u00dcREL K\u00d6PR\u00dcS\u00dc: SHAHZADEH N. \u0130GUAL<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1978 Tahran do\u011fumlu olan ve 1991\u2019den bu yana T\u00fcrkiye\u2019de ya\u015fayan Shahzadeh N. \u0130gual, T\u00fcrkiye Yazarlar Sendikas\u0131 \u00fcyesi ve T\u00fcrk\u00e7eyi sonradan \u00f6\u011frenip bu dilde edebi eser veren tek yabanc\u0131 yazar unvan\u0131na sahip.&nbsp;<em>Tahran\u2019\u0131n K\u0131rm\u0131z\u0131 Sirenleri<\/em>,&nbsp;<em>\u0130sfahan\u2019\u0131n G\u00f6zya\u015flar\u0131<\/em>&nbsp;ve&nbsp;<em>Ad\u0131 Mercan<\/em>&nbsp;gibi eserleriyle tan\u0131nan \u0130gual, \u0130ran taraf\u0131ndan k\u00fclt\u00fcrel \u00e7al\u0131\u015fmalar\u0131 vesilesiyle \u00f6zel bir ni\u015fanla \u00f6d\u00fcllendirilmi\u015ftir. Sanat\u00e7\u0131, ya\u015fam\u0131n\u0131 ve \u00fcretimlerini \u0130stanbul ile Valensiya ekseninde s\u00fcrd\u00fcrmeye devam etmektedir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/mistik-bir-kavusmanin-ve-ayriligin-hikayesi-bir-gecede-binbir-gece-bin-sems-bir-celaleddin-2501810\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/mistik-bir-kavusmanin-ve-ayriligin-hikayesi-bir-gecede-binbir-gece-bin-sems-bir-celaleddin-2501810<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0130ranl\u0131 yazar ve sosyolog Shahzadeh N. \u0130gual\u2019in imzas\u0131n\u0131 ta\u015f\u0131yan, Mevl\u00e2na Celaleddin-i Rumi ile \u015eems-i Tebrizi aras\u0131ndaki e\u015fsiz ruhsal ba\u011f\u0131 konu alan &#8220;Bir Gecede Binbir Gece: Bin \u015eems Bir Celaleddin&#8221; adl\u0131 m\u00fczikal anlat\u0131, 7 May\u0131s 2026 tarihinde \u0130stanbul KKM G\u00f6n\u00fcl \u00dclk\u00fc ve Gazanfer \u00d6zcan Sahnesi\u2019nde izleyiciyle bulu\u015fuyor. UNESCO tescilli kadim \u0130ran gelene\u011fi \u201cnakkallik\u201d (Naqq\u0101li) sanat\u0131n\u0131 modern [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/05\/IMG_2908.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/5535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5535"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/5535\/revisions"}],"predecessor-version":[{"id":5537,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/5535\/revisions\/5537"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/5536"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}