{"id":6537,"date":"2026-05-25T20:41:17","date_gmt":"2026-05-25T20:41:17","guid":{"rendered":"https:\/\/odakhaber.site\/?p=6537"},"modified":"2026-05-25T20:41:17","modified_gmt":"2026-05-25T20:41:17","slug":"79-cannes-film-festivaline-toplumsal-bilinc-damgasi-cristian-mungiu-ikinci-kez-altin-palmiyenin-sahibi-oldu","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=6537","title":{"rendered":"79. Cannes Film Festivali\u2019ne Toplumsal Bilin\u00e7 Damgas\u0131: Cristian Mungiu \u0130kinci Kez Alt\u0131n Palmiye\u2019nin Sahibi Oldu"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">79\u2019uncu Cannes Film Festivali\u2019nde \u00f6d\u00fcl alan filmler kadar y\u00f6netmenlerin ho\u015fg\u00f6r\u00fc, empati, dayan\u0131\u015fma ve bar\u0131\u015f vurgusu ta\u015f\u0131yan mesajlar\u0131 da \u00f6ne \u00e7\u0131kt\u0131. Bu kadar anlaml\u0131, \u201cdo\u011fru\u201d kararlar alan bir j\u00fcriyi alk\u0131\u015flamay\u0131 \u00f6zlemi\u015ftik! T\u0131rnak i\u00e7inde yaz\u0131yorum, \u00e7\u00fcnk\u00fc ger\u00e7eklerin s\u00fcrekli \u00e7arp\u0131t\u0131ld\u0131\u011f\u0131, yalanlar\u0131n dayat\u0131ld\u0131\u011f\u0131, do\u011frular\u0131n unutturuldu\u011fu, sular\u0131n buland\u0131r\u0131ld\u0131\u011f\u0131; insan haklar\u0131, demokrasi, laiklik gibi birlikte, bar\u0131\u015f i\u00e7inde ya\u015faman\u0131n temel direklerinin hedef al\u0131nd\u0131\u011f\u0131, kendilerine kutsal misyonlar y\u00fckleyen \u201cse\u00e7ilmi\u015f\u201d diktat\u00f6rlerin \u00e7o\u011fald\u0131\u011f\u0131, devlet ter\u00f6rizminin her co\u011frafyada sesini y\u00fckseltti\u011fi, fa\u015fizmin ayak seslerinin art\u0131k burnunuzun dibine geldi\u011fi; cinsel, etnik, dinsel ya da felsefi t\u00fcm farkl\u0131l\u0131klar\u0131n hedefle\u015ftirildi\u011fi bir d\u00f6nemde, \u201cSinema (genelde sanat) ne yapabilir ki\u201d demeyin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bilin\u00e7li ve sorumlu olmas\u0131 \u00e7ok \u015feyi de\u011fi\u015ftirebilir. Klasik deyi\u015fiyle, i\u00e7erikle bi\u00e7imi bulu\u015fturarak bu \u201ckutsal sorumlulu\u011fu\u201d y\u00fcklenebilir. Her d\u00f6nemde de y\u00fcklenmemi\u015f midir zaten? \u0130\u015fte bu bilin\u00e7 e\u015fli\u011finde yap\u0131lm\u0131\u015f filmleri \u00f6n plana \u00e7\u0131karmak; \u00e7ok k\u00fclt\u00fcrl\u00fc j\u00fcrinin de sanatsal sorumlulu\u011fuydu ku\u015fkusuz. Ve o dokuz ki\u015fi, bilin\u00e7le, \u00f6zg\u00fcn sanatsal bi\u00e7emleri de g\u00f6z ard\u0131 etmeden, \u00fcstlendikleri \u201ckutsal\u201d sorumlulu\u011fun hakk\u0131n\u0131 verdiler.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Mungiu\u2019dan D\u00fcnyaya Anlaml\u0131 \u00c7a\u011fr\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cFjord\u201dun \u00f6d\u00fcl alaca\u011f\u0131ndan emindik ama ilk s\u0131raya \u00e7\u0131kamayacak olmas\u0131ndan korkuyorduk. Kendi \u201ckutsal\u201dlar\u0131n\u0131 sorgulamaya davet edilen izleyici ve yorumcular aras\u0131nda rahats\u0131z olanlar az de\u011fildi. Neyi, kimi savunuyordu Rumen y\u00f6netmen? Mungiu\u2019nun, t\u00f6ren gecesi sahnede verdi\u011fi yan\u0131t\u0131 aktarmakla yetinelim:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201c\u00c7ocuklar\u0131m\u0131za b\u0131rakt\u0131klar\u0131m\u0131zdan pek gurur duymuyorum. Onlardan bir de\u011fi\u015fiklik yapmalar\u0131n\u0131 istemeden \u00f6nce, kendimizin k\u00fc\u00e7\u00fck bir de\u011fi\u015fiklik yapmas\u0131n\u0131n \u00f6nemli oldu\u011funa inan\u0131yorum. Evet, i\u015fe kendimizden ba\u015flamal\u0131y\u0131z&#8230; Par\u00e7alanm\u0131\u015f, radikalle\u015fmi\u015f toplumlarda ya\u015fanan ac\u0131 ger\u00e7eklerle kar\u015f\u0131 kar\u015f\u0131ya gelen bir y\u00f6netmenin, ho\u015fg\u00f6r\u00fc, kapsay\u0131c\u0131l\u0131k ve empati mesaj\u0131 veren filmler ger\u00e7ekle\u015ftirmesi bana g\u00f6re daha do\u011frudur&#8230;\u201d<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Cristian Mungiu, \u00f6d\u00fcl gecesinden birka\u00e7 saat \u00f6nce a\u00e7\u0131klanan \u00f6nemli yan \u00f6d\u00fcllerin hepsini (Vatanda\u015fl\u0131k \u00d6d\u00fcl\u00fc, Kiliseler Birli\u011fi \u00d6d\u00fcl\u00fc ve FIPRESCI uluslararas\u0131 ele\u015ftirmenler federasyonu \u00f6d\u00fcl\u00fc) alm\u0131\u015ft\u0131 zaten.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00d6d\u00fcl K\u00fcrs\u00fcs\u00fcnde Bar\u0131\u015f ve Dayan\u0131\u015fma Mesajlar\u0131<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cMinotaur\u201da verilen B\u00fcy\u00fck \u00d6d\u00fcl ile \u201cAlt\u0131n Palmiye\u201dden sonra ikinci s\u0131ray\u0131 alan Rus y\u00f6netmen Andrey Zvyagintsev de ayn\u0131 sorumlu yakla\u015f\u0131m\u0131 sergiliyordu. Sahnedeki k\u0131sa konu\u015fmas\u0131nda Putin\u2019e, ad\u0131n\u0131 telaffuz bile etmeden, Ukrayna\u2019da bar\u0131\u015f \u00e7a\u011fr\u0131s\u0131nda bulundu. Yar\u0131\u015fmal\u0131 b\u00f6l\u00fcmdeki iki ba\u011f\u0131ms\u0131z Amerikan sinema \u00f6rne\u011fi listede yer alamay\u0131nca d\u00fcnyaya h\u00fckmetmeye \u00e7al\u0131\u015fan ba\u015f diktat\u00f6re kar\u015f\u0131 s\u00f6z edecek kimse de \u00e7\u0131kmad\u0131. L\u00fcbnan sava\u015f\u0131na kar\u015f\u0131 tav\u0131rlar dile getirildi; Kanadal\u0131 y\u00f6netmen Xavier Dolan, Filistinli \u015fair Mahmud Dervi\u015f\u2019ten dizeler okudu. Ho\u015fg\u00f6r\u00fcden, dayan\u0131\u015fmadan, direni\u015ften, farkl\u0131 olana sayg\u0131dan s\u00f6z edildi.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130nsanl\u0131k \u0130dealinde H\u00fcmanizm ve Ger\u00e7eklik Sorgusu<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">79\u2019uncu Cannes Film Festivali \u00f6d\u00fcl listesinde yer alan b\u00fct\u00fcn filmlerin T\u00fcrkiye\u2019de de da\u011f\u0131t\u0131labilmesi, bu filmleri izleyenlerin de incelikli sanatsal keyifler alman\u0131n yan\u0131 s\u0131ra \u00f6nyarg\u0131lar\u0131ndan ar\u0131narak d\u00fc\u015f\u00fcnmeye, kendi kendilerini sorgularken farkl\u0131 olanlar\u0131 anlamaya, bu farkl\u0131l\u0131\u011f\u0131n k\u00f6kleri ne olursa olsun farkl\u0131 olana empatiyle yakla\u015fmay\u0131 prensip olarak benimsemeleri dilekleriyle&#8230; Derken, duyar gibi oluyorum: \u201cMungiu\u2019nun filmi ve di\u011ferleri, hepsi bo\u015f, hi\u00e7biri ger\u00e7ek\u00e7i de\u011fil; b\u00fct\u00fcn tek tanr\u0131l\u0131 dinlerin dayatt\u0131\u011f\u0131 ama bir t\u00fcrl\u00fc ger\u00e7ek ya\u015fama yans\u0131tamad\u0131klar\u0131 safsatalar bunlar\u201d diyenler \u00e7ok. Bu tavr\u0131n kar\u015f\u0131t\u0131, mizantropiye giden kolay yola davet \u00e7\u0131karmaz m\u0131? Erich Maria Remarque\u2019\u0131n \u201c\u0130nsanlar\u0131 seveceksin\u201d d\u00fcsturu gerisinde yatan, s\u0131fat\u0131n t\u00fcm anlamlar\u0131yla \u201csaf\u201d h\u00fcmanizmden umudu kesmek do\u011fru mu?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bir Alman ele\u015ftirmen arkada\u015f, festivalin son g\u00fcn\u00fc, kendisinin \u00e7ok k\u00fc\u00e7\u00fck bir \u00e7ocuk oldu\u011fu y\u0131llarda, Cannes\u2019da bir otel odas\u0131nda intihar eden Klaus Mann\u2019\u0131n burada bulunan mezar\u0131n\u0131 ziyaret ediyor&#8230; Babas\u0131 Thomas Mann\u2019\u0131n kat\u0131l(a)mad\u0131\u011f\u0131 cenaze t\u00f6renini, gerisindeki d\u00fcnyay\u0131 ve g\u00fcn\u00fcm\u00fcz\u00fc d\u00fc\u015f\u00fcnerek&#8230; Pawel Pawlikowski\u2019nin filmi \u201cFatherland\u201d\u0131n ilk sahnelerinde, Klaus Mann\u2019\u0131, Cannes\u2019daki o otel odas\u0131nda ge\u00e7irdi\u011fi son g\u00fcn\u00fcn dekorunda g\u00f6rm\u00fc\u015ft\u00fck.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Park Chan-wook Ba\u015fkanl\u0131\u011f\u0131ndaki Festival J\u00fcrisi<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Festivalde ana yar\u0131\u015fma j\u00fcrisinin ba\u015fkanl\u0131\u011f\u0131n\u0131 bu y\u0131l G\u00fcney Koreli usta y\u00f6netmen Park Chan-wook \u00fcstlendi. Di\u011fer j\u00fcri \u00fcyeleri ise \u015f\u00f6yle s\u0131raland\u0131:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Demi Moore (Oyuncu)<\/li>\n\n\n\n<li>Ruth Negga (Oyuncu)<\/li>\n\n\n\n<li>Laura Wandel (Y\u00f6netmen, Senarist)<\/li>\n\n\n\n<li>Diego C\u00e9spedes (Y\u00f6netmen, Senarist)<\/li>\n\n\n\n<li>Isaach de Bankol\u00e9 (Oyuncu)<\/li>\n\n\n\n<li>Paul Laverty (Senarist)<\/li>\n\n\n\n<li>Chlo\u00e9 Zhao (Y\u00f6netmen, Senarist)<\/li>\n\n\n\n<li>Stellan Skarsg\u00e5rd (Oyuncu)<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">79. Cannes Film Festivali \u00d6d\u00fcl Listesi<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Alt\u0131n Palmiye:<\/strong>\u00a0Fjord &#8211; Cristian Mungiu<\/li>\n\n\n\n<li><strong>B\u00fcy\u00fck \u00d6d\u00fcl:<\/strong>\u00a0Minotaur &#8211; Andrey Zvyagintsev<\/li>\n\n\n\n<li><strong>En \u0130yi Y\u00f6netmen:<\/strong>\u00a0Javier Calvo ve Javier Ambrossi (The Black Ball), Pawel Pawlikowski (Fatherland)<\/li>\n\n\n\n<li><strong>J\u00fcri \u00d6d\u00fcl\u00fc:<\/strong>\u00a0The Dreamed Adventure &#8211; Valeska Grisebach<\/li>\n\n\n\n<li><strong>En \u0130yi Kad\u0131n Oyuncu:<\/strong>\u00a0Virginie Efira ve Tao Okamoto (All of a Sudden)<\/li>\n\n\n\n<li><strong>En \u0130yi Erkek Oyuncu:<\/strong>\u00a0Emmanuel Macchia ve Valentin Campagne (Coward)<\/li>\n\n\n\n<li><strong>En \u0130yi Senaryo:<\/strong>\u00a0Emmanuel Marre (A Man of His Time)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Di\u011fer \u00d6nemli \u00d6d\u00fcller<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Alt\u0131n Kamera (Cam\u00e9ra d\u2019Or &#8211; En \u0130yi \u0130lk Film):<\/strong>\u00a0Ben\u2019Imana &#8211; Y\u00f6netmen: Marie-Cl\u00e9mentine Dusabejambo<\/li>\n\n\n\n<li><strong>Belirli Bir Bak\u0131\u015f En \u0130yi Film \u00d6d\u00fcl\u00fc:<\/strong>\u00a0Everytime &#8211; Sandra Wollner<\/li>\n\n\n\n<li><strong>Alt\u0131n G\u00f6z (En \u0130yi Belgesel):<\/strong>\u00a0Rehearsals for a Revolution &#8211; Pegah Ahangarani<\/li>\n\n\n\n<li><strong>K\u0131sa Film Alt\u0131n Palmiye:<\/strong>\u00a0For the Contenders &#8211; Federico Luis<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/rumen-yonetmen-ikinci-kez-altin-palmiye-kazanirken-yan-odulleri-de-hepsini-aldi-sorumlu-sinema-2506711\">https:\/\/www.cumhuriyet.com.tr\/kultur-sanat\/rumen-yonetmen-ikinci-kez-altin-palmiye-kazanirken-yan-odulleri-de-hepsini-aldi-sorumlu-sinema-2506711<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>79\u2019uncu Cannes Film Festivali\u2019nde \u00f6d\u00fcl alan filmler kadar y\u00f6netmenlerin ho\u015fg\u00f6r\u00fc, empati, dayan\u0131\u015fma ve bar\u0131\u015f vurgusu ta\u015f\u0131yan mesajlar\u0131 da \u00f6ne \u00e7\u0131kt\u0131. Bu kadar anlaml\u0131, \u201cdo\u011fru\u201d kararlar alan bir j\u00fcriyi alk\u0131\u015flamay\u0131 \u00f6zlemi\u015ftik! T\u0131rnak i\u00e7inde yaz\u0131yorum, \u00e7\u00fcnk\u00fc ger\u00e7eklerin s\u00fcrekli \u00e7arp\u0131t\u0131ld\u0131\u011f\u0131, yalanlar\u0131n dayat\u0131ld\u0131\u011f\u0131, do\u011frular\u0131n unutturuldu\u011fu, sular\u0131n buland\u0131r\u0131ld\u0131\u011f\u0131; insan haklar\u0131, demokrasi, laiklik gibi birlikte, bar\u0131\u015f i\u00e7inde ya\u015faman\u0131n temel direklerinin hedef [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6538,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-6537","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat-haberleri"],"jetpack_featured_media_url":"https:\/\/odakhaber.site\/wp-content\/uploads\/2026\/05\/IMG_3641.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/6537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6537"}],"version-history":[{"count":1,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/6537\/revisions"}],"predecessor-version":[{"id":6539,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/posts\/6537\/revisions\/6539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=\/wp\/v2\/media\/6538"}],"wp:attachment":[{"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/odakhaber.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}