{"id":969,"date":"2026-02-28T15:12:42","date_gmt":"2026-02-28T15:12:42","guid":{"rendered":"https:\/\/odakhaber.site\/?p=969"},"modified":"2026-02-28T15:12:42","modified_gmt":"2026-02-28T15:12:42","slug":"mimari-mirasin-izinde-bir-dev-ahmet-ertugun-beyond-the-vanishing-point-sergisi-venedikte","status":"publish","type":"post","link":"https:\/\/odakhaber.site\/?p=969","title":{"rendered":"Mimari Miras\u0131n \u0130zinde Bir Dev: Ahmet Ertu\u011f\u2019un \u201cBeyond the Vanishing Point\u201d Sergisi Venedik\u2019te"},"content":{"rendered":"\n

Usta foto\u011fraf sanat\u00e7\u0131s\u0131 ve mimar Ahmet Ertu\u011f, eri\u015fimi k\u0131s\u0131tl\u0131 ve gizli kalm\u0131\u015f 29 mimari \u015faheseri g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan yeni sergisini Venedik\u2019te a\u00e7t\u0131. Serginin kalbinde, Ayasofya ve Pantheon\u2019un as\u0131rl\u0131k diyalo\u011fu yank\u0131lan\u0131yor.<\/strong><\/p>\n\n\n\n

D\u00fcnyaca \u00fcnl\u00fc foto\u011fraf sanat\u00e7\u0131s\u0131 Ahmet Ertu\u011f<\/strong>\u2019un, mimari ihti\u015fam\u0131 mercek alt\u0131na alan son \u00e7al\u0131\u015fmas\u0131 \u201cBeyond the Vanishing Point\u201d<\/strong>, Venedik\u2019teki Le Stanze della Fotografia<\/em>\u2019da sanatseverlerle bulu\u015ftu. Sergi, Ayasofya\u2019n\u0131n an\u0131tsal kubbesinden Roma\u2019n\u0131n Pantheon\u2019una kadar uzanan, d\u00fcnyan\u0131n en k\u0131ymetli mimari miraslar\u0131n\u0131 i\u00e7eren 29 b\u00fcy\u00fck boy foto\u011fraftan olu\u015fuyor.<\/p>\n\n\n\n

Mimarl\u0131k E\u011fitiminden Foto\u011fraf Sanat\u0131na Uzanan Yolculuk<\/h2>\n\n\n\n

Londra\u2019daki Architectural Association School of Architecture<\/em>\u2019da (1968-1974) ald\u0131\u011f\u0131 e\u011fitimin ard\u0131ndan sanat yolculu\u011funa ba\u015flayan Ertu\u011f, kariyerinin d\u00f6n\u00fcm noktalar\u0131n\u0131 \u015fu s\u00f6zlerle anlat\u0131yor:<\/p>\n\n\n\n

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“Londra\u2019da e\u011fitim al\u0131rken s\u0131k s\u0131k Venedik\u2019e giderdim. Bize anlat\u0131lan ‘insan i\u00e7in huzurlu kentler’ modelinin kar\u015f\u0131l\u0131\u011f\u0131n\u0131 \u0130talya\u2019da; \u00f6zellikle Venedik, Bologna ve Floransa\u2019da buldu\u011fumu fark etmi\u015ftim. Japonya\u2019da 12 ay boyunca tap\u0131naklar\u0131 ve bah\u00e7eleri foto\u011fraflad\u0131m. Yukio Futagawa gibi efsanevi foto\u011fraf\u00e7\u0131lar\u0131n \u00e7al\u0131\u015fmalar\u0131 beni derinden etkiledi; onlar\u0131n izinden gitmeye karar verdim.”<\/em><\/p>\n<\/blockquote>\n\n\n\n

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\u0130stanbul ve Venedik: Ortak Bir Haf\u0131zan\u0131n Tasviri<\/h2>\n\n\n\n

T\u00fcrkiye\u2019ye d\u00f6nd\u00fc\u011f\u00fcnde Sedad Hakk\u0131 Eldem ile yak\u0131n dostluk kuran ve K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 b\u00fcnyesinde \u0130stanbul\u2019un tarihi alanlar\u0131n\u0131n koruma planlar\u0131n\u0131 y\u00f6neten Ertu\u011f, bu deneyimini sanat\u0131na yans\u0131t\u0131yor. Sergi, \u0130talya\u2019n\u0131n mimari miras\u0131 ile Akdeniz d\u00fcnyas\u0131 aras\u0131ndaki derin diyalo\u011fu merkezine al\u0131yor.<\/p>\n\n\n\n

Serginin Odak Noktalar\u0131<\/h3>\n\n\n\n
Eser Grubu<\/td>\u00d6ne \u00c7\u0131kan Mek\u00e2nlar<\/td><\/tr><\/thead>
\u0130talyan Miras\u0131<\/strong><\/td>Roma Pantheon, Aziz Petrus Bazilikas\u0131, Venedik Teatro La Fenice<\/td><\/tr>
\u0130stanbul\u2019un Simgesi<\/strong><\/td>Ayasofya-i Kebir Cami-i \u015eerifi\u2019nin an\u0131tsal kubbesi<\/td><\/tr>
Kurumsal Yap\u0131lar<\/strong><\/td>Katedraller, saraylar, tarihi k\u00fct\u00fcphaneler ve m\u00fczeler<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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\"\"<\/figure>\n\n\n\n

“Ayasofya, \u0130ki Kent Aras\u0131ndaki \u0130li\u015fkiyi M\u00fch\u00fcrl\u00fcyor”<\/h2>\n\n\n\n

Ertu\u011f, serginin ba\u015fk\u00f6\u015fesine yerle\u015ftirdi\u011fi Ayasofya foto\u011fraf\u0131n\u0131n \u00f6nemini ve Pantheon ile kurdu\u011fu ili\u015fkiyi \u015fu \u015fekilde temellendiriyor:<\/p>\n\n\n\n

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“Ayasofya\u2019n\u0131n an\u0131tsal ve etkileyici kubbesi, Venedik ile \u0130stanbul aras\u0131ndaki tarihsel mimari ba\u011flar\u0131 vurgulamak i\u00e7in se\u00e7ildi. Sergide, Pantheon\u2019un kubbesi ile Ayasofya\u2019n\u0131n kubbesi kar\u015f\u0131l\u0131kl\u0131 bir diyalog i\u00e7indedir. Bu iki yap\u0131, d\u00fcnya mimarl\u0131k tarihinin g\u00fcn\u00fcm\u00fcze ula\u015fm\u0131\u015f en g\u00f6rkemli an\u0131tlar\u0131 aras\u0131ndad\u0131r. Ayasofya, \u0130stanbul ve Venedik aras\u0131ndaki derin tarihsel ili\u015fkiyi m\u00fch\u00fcrleyen bir eser olarak sergide yer al\u0131yor.”<\/em><\/p>\n<\/blockquote>\n\n\n\n

Bu yakla\u015f\u0131m, foto\u011fraf\u0131 yaln\u0131zca bir belgeleme arac\u0131 olarak de\u011fil; mimariyi, onu tasarlayanlar\u0131n g\u00f6z\u00fcnden yeniden deneyimleme ve yorumlama y\u00f6ntemi olarak konumland\u0131r\u0131yor.<\/p>\n\n\n\n

Ziyaret Bilgileri<\/h2>\n\n\n\n

Yar\u0131m asr\u0131 a\u015fk\u0131n bir ara\u015ft\u0131rman\u0131n ve 15 y\u0131ll\u0131k \u0130talya \u00e7ekimlerinin bir kutlamas\u0131 niteli\u011finde olan sergi, Nisan ay\u0131na kadar kap\u0131lar\u0131n\u0131 a\u00e7\u0131k tutacak.<\/p>\n\n\n\n